En ce point est quelque chose de simple, d’infiniment simple, de si extraordinairement simple que le philosophe n’a jamais réussi à le dire. Et c’est pourquoi il a parlé toute sa vie.

...Men do not sufficiently realize
that their future is in their own hands.
Theirs is the task of determining first of all whether they want to go on living or not.
Theirs is the responsibility, then, for deciding if they want merely to live,
or intend to make just the extra effort required
for fulfilling, even on this refractory planet,
the essential function of the universe,
which is a machine for the making of gods.

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The universe our reason conceives is, in fact, a universe which extends infinitely beyond human experience, the characteristic of reason being to prolong the data of experience, to extend them by way of generalization, in order to make us conceive many more things than we shall ever perceive. In such a universe man is expected to do very little and to occupy very little space: what he gives to his intelligence he takes away from his will. Above all, having attributed to his thought the power of embracing everything, he is obliged to imagine all things in terms of thought; of his aspirations, his desires, his enthusiasms he cannot ask enlightenment in a world in which everything accessible to him has been first considered by him as translatable into pure ideas. His sensibility cannot enlighten his intelligence, for it is with his intelligence that he has made what light there is. Most philosophies, therefore, restrict our experience on the side of feeling and will as at the same time they indefinitely prolong it on the side of thought.

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Duration is the continuous progress of the past which gnaws into the future and which swells as it advances. And as the past grows without ceasing, so also there is no limit to its preservation. Memory, as we have tried to prove, is not a faculty of putting away recollections in a drawer, or of inscribing them in a register. There is no register, no drawer; there is not even, properly speaking, a faculty, for a faculty works intermittently, when it will or when it can, whilst the piling up of the past upon the past goes on without relaxation. In reality, the past is preserved by itself, automatically. In its entirety, probably, it follows us at every instant; all that we have felt, thought and willed from our earliest infancy is there, leaning over the present which is about to join it, pressing against the portals of consciousness that would fain leave it outside. The cerebral mechanism is arranged just so as to drive back into the unconscious almost the whole of this past, and to admit beyond the threshold only that which can cast light on the present situation or further the action now being prepared — in short, only that which can give useful work. At the most, a few superfluous recollections may succeed in smuggling themselves through the half-open door. These memories, messengers from the unconscious, remind us of what we are dragging behind us unawares. But, even though we may have no distinct idea of it, we feel vaguely that our past remains present to us. What are we, in fact, what is ourcharacter, if not the condensation of the history that we have lived from our birth — nay, even before our birth, since we bring with us prenatal dispositions? Doubtless we think with only a small part of our past, but it is with our entire past, including the original bent of our soul, that we desire, will and act. Our past, then, as a whole, is made manifest to us in its impulse; it is felt in the form of tendency, although a small part of it only is known in the form of

Si régulière que soit une physionomie, si harmonieuse qu'on en suppose les lignes, si souples les mouvements, jamais l'équilibre n'en est absolument parfait. On y démêlera toujours l'indication d'une grimace possible, enfin une déformation préférée où se contourneraient plutôt la nature. L'art du caricaturiste est de saisir ce mouvement parfois imperceptible, et de le rendre visible à tous les yeux en l'agrandissant. Il fait grimacer ses modèles comme ils grimaceraient eux-mêmes s'ils allaient jusqu'au bout de leur grimace. Il devine, sous les harmonies superficielles de la forme, les révoltes profondes de la matière. Il réalise des disproportions et des déformations qui ont dû exister dans la nature à l'état de velléité, mais qui n'ont pu aboutir, refoulées par une force meilleure.

understanding, whose role is to operate on stable elements, can seek stability either in relations or in things. In so far as it works on relational concepts, it ends in scientific symbolism. In so far as it operates on concepts of things, it ends in metaphysical symbolism. But in either case the arrangement comes from it. It would willingly believe itself independent. Rather than recognizing at once what it owes to the deep intuition, of reality, it is exposed to what is only seen in all its work, to an artificial arrangement of symbols. With the result that if one keeps to the letter of what metaphysicians and scholars say, as well as to the content of what they do, one might believe that the first have dug a deep tunnel under reality, while the others have thrown over it an elegant bridge, but that the moving river of things passes between these two works of art without touching them.