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" "This was the time when all we could talk about was sentences, sentences — nothing else stirred us. Whatever happened in those days, whatever befell our regard, Clea and I couldn’t rest until it had been converted into what we told ourselves were astonishingly unprecedented and charming sentences:
“Esther’s cleavage is something to be noticed” or “You can’t have a contemporary prison without contemporary furniture” or “I envision an art which will make criticism itself seem like a cognitive symptom, one which its sufferers define to themselves as taste but is in fact nothing of the sort” or “I said I want my eggs scrambled not destroyed.”
At the explosion of such a sequence from our green young lips, we’d rashly scribble it on the wall of our apartment with a filthy wax pencil, or type it twenty-five times on the same sheet of paper and then photocopy the paper twenty-five times and then slice each page into twenty-five slices on the paper cutter in the photocopy shop and then scatter the resultant six hundred and twenty-five slips of paper throughout the streets of our city, fortunes without cookies.
Jonathan Lethem (born February 19, 1964) is an American novelist, essayist, and short story writer.
Biography information from Wikiquote
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Just handling this ocean of different books — new and used, in and out of print, famous and forgotten — it was literature as this giant mosaic of texts and experiments and attitudes. I think it’s just very liberating to break out of a great man’s theory of history.
I guess I’ve always liked working from that sense of — what would you call it? — license that the margins permit. I always just visualize myself writing books that were meant one day to be dusty, forgotten volumes being encountered by intrepid browsers in a used bookstore. It was a much less freighted way to think about trying to enter the conversation than to imagine I had to write The Great Gatsby.
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Escúchame. Soy tímido. No tonto. No puedo mirar a la gente a los ojos. No sé si entiendes lo que se siente. Hay todo un mundo que existe a mi alrededor, lo sé. No es que no quiera mirarte. Es que no quiero que me vean. Tengo miedo de lo que veréis dentro de mi. Me avergüenzo, me da miedo que me mires a los ojos y descubras algo malo, estropeado.