The natives grieve When the white men leave Their huts. Because they're obviously, Definitely Nuts. - Noël Coward

Don't put your daughter on the stage, Mrs. Worthington
Don't put your daughter on the stage
The profession is overcrowded
And the struggle's pretty tough
And admitting the fact she's burning to act
That isn't quite enough
She's a big girl and though her teeth are fairly good
She's not the type I ever would be eager to engage
I repeat, Mrs. Worthington, sweet Mrs. Worthington
Don't put your daughter on the stage.

Proceeding on the assumption that the reader of this preface is interested in the development of my musical talent, I will try to explain, as concisely as I can, how, in this respect, my personal wheels go round. To begin with, I have only had two music lessons in my life. These were the first steps of what was to have been a full course at the Guildhall School of Music, and they faltered and stopped when I was told by my instructor that I could not use consecutive fifths. He went on to explain that a gentleman called Ebenezer Prout had announced many years ago that consecutive fifths were wrong and must in no circumstances be employed. At that time Ebenezer Prout was merely a name to me (as a matter of fact he still is, and a very funny one at that) and I was unimpressed by his Victorian dicta. I argued back that Debussy and Ravel had used consecutive fifths like mad. My instructor waved aside this triviality with a pudgy hand, and I left his presence forever with the parting shot that what was good enough for Debussy and Ravel was good enough for me. This outburst of rugged individualism deprived me of much valuable knowledge, and I have never deeply regretted it for a moment.

Hollywood is a place where some people lie on the beach and look up at the stars, whereas other people lie on the stars and look down at the beach.