When I began to write as a very young person in a rigidly racist and inhibited colonial society, I felt, as many others did, that I existed marginall… - Nadine Gordimer

The height of the grass. Look at the reeds. Everything bends, blends, folds. Everything is continually swaying, flowing rippling waving surging streaming fingering.

The pirogues came with live turtles, and with fish, with cloudy beer and wine made from bananas, palm nuts, or sorghum, and with the smoked meat of hippopotamus and crocodile. The vendors did a good trade with our crew and the passengers down at the third-class boat; the laughter, the exclamations, and the argument of bargaining were with us all day, heard but not understood, like voices in the next room. At stopping places, the people who were nourished on these ingredients of a witches' brew poured ashore across the single plank flung down for them, very human in contour, the flesh of the children sweet, the men and women strong and sometimes handsome. We, thank God, were fed on veal and ham and Brussels sprouts, brought frozen from Europe.

The desert. No seasons of bloom and decay. Just the endless turn of night and day. Out of time: and she is gazing- not over it, taken into it, for it has no measure of space, features that mark distance from here to there. In a film of haze there is no horizon, the pallor of sand, pink-traced, lilac-luminous with its own colour of faint light, has no demarcation from land to air. Sky-haze is indistinguishable from sand-haze. All drifts together, and there is no onlooker; the desert is eternity.