I get especially angry when I see how people are treated when they come up here looking for work, especially the farm workers…I challenge any prep sc… - Linda Ronstadt

…I was singing on the sort of the flat, lower part of my voice. I didn't have all the color and the breath and the sort of airy halo that comes. There's a lot of different textures that you can dial in and out on an unconscious level when you're singing. And you just bring in these colors and textures, and they all express emotion in some way or another. And I didn't have that with me. I was - I thought of myself as a painter that was painting with a limited palette, so I thought, well, I got some darks and lights here. And I've got some maybe some umber, you know? And I can put that in, and I just have to make a really strong drawing, make the image as bold as I can. And that's what I was trying to do with this song.

There is a lot of German and French influence there…The music uses accordions and German-style brass bands, reinterpreted in a Mexican style. I like to say that Mexicans took German and French music and made it sexy.

The thing I’ve always thought about music is that it’s not competitive, it’s cooperative. I thought that was a really good example. We chose the songs because all three of us loved them so much we were afraid we’d get sick if we didn’t record them. Then we’d choose the arrangement by who was going to sing lead, by who sounded best…