All this is equally exasperating for the person who is doing the pointing, for he wants to show me something which, to him, is so obvious that one wo… - Alan Watts

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All this is equally exasperating for the person who is doing the pointing, for he wants to show me something which, to him, is so obvious that one would think any fool could see it. He must feel as we all feel when trying to explain to a thick-headed child that two times zero is zero and not two, or some other perfectly simple little fact. And there is something even more exasperating than this. I am sure that many of you may, for a fleeting moment, have had one clear glimpse of what the finger was pointing at — a glimpse in which you shared the pointer’s astonishment that you had never seen it before, in which you saw the whole thing so plainly that you knew you could never forget it . . . and then you lost it. After this, there may be a tormenting nostalgia that goes on for years. How to find the way back, back to the door in the wall that no longer seems to be there, back to the turning which led into paradise — which wasn’t on the map, which you saw for sure right here. But now there is nothing. It is like trying to trace someone with whom you fell in love at first sight, and then lost touch; and you go back to the original place of meeting again and again, trying in vain to pick up the threads.

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About Alan Watts

Alan Wilson Watts (6 January 1915 – 16 November 1973) was an English philosopher, writer, speaker, and expert in comparative religion.

Biography information from Wikiquote

Also Known As

Alternative Names: Alan Wilson Watts Alan W. Watts
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Additional quotes by Alan Watts

The free man walks straight ahead; he has no hesitations and never looks behind, for he knows that there is nothing in the future and nothing in the past that can shake his freedom.
Freedom does not belong to him; it is no more his property than the wind, and as he does not possess it he is not possessed by it. And because he never looks behind his actions are said to leave no trace, like the passage of a bird through air.

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The self pretends that things are getting serious, just like a great actor on the stage. Even though the audience knows that what they see on stage is only a play, the actor’s skill takes them in — they weep and laugh and sit on the edge of their seats with anticipation. They’re utterly involved in what they really know is just a play. So that’s what’s going on here. Brahman is a tremendous actor with absolutely superb technique, so much so that Brahman takes itself in and feels that the play is real. We are all the Brahman acting out our own parts and playing the human game so beautifully that Brahman is enchanted, and this is what enchantment means — under the influence of a chant, hypnotized, spellbound, fascinated. And that fascination is maya.

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