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While this America settles in the mould of its vulgarity, heavily thickening to empire, I And protest, only a bubble in the molten mass, pops and sig… - Robinson Jeffers
" "While this America settles in the mould of its vulgarity,
heavily thickening to empire, I
And protest, only a bubble in the molten mass, pops
and sighs out, and the mass hardens,
I sadly smiling remember that the flower fades to make
fruit, the fruit rots to make earth.
Qut of the mother; and through the spring exultances,
ripeness and decadence; and home to the mother.
You making haste haste on decay: not blameworthy; life
is good, be it stubbornly long or suddenly
A mortal splendor: meteors are not needed less than
mountains: shine, perishing republic.
But for my children. I would have them keep their dis-
tance from the thickening center; corruption.
Never has been compulsory, when the cities lie at the
monster’s feet there are left the mountajns.
And boys, be in nothing so moderate as in love of man,
a clever servant, insufferable master.
There is the trap that catches noblest spirits, that caught
-–they say — God, when he walked on earth.
English
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About Robinson Jeffers
John Robinson Jeffers (10 January 1887 – 20 January 1962) was an American poet, whose poetry often presented monist perspectives, transcending personal and particular concerns of human beings, which he eventually labelled as stances of a naturalistic "inhumanism" that he believed was necessary to transcend and diminish many forms of social strife and corruption.
Biography information from Wikiquote
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John Robinson Jeffers
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I believe that the Universe is one being, all its parts are different expressions of the same energy, and they are all in communication with each other, therefore parts of one organic whole. (This is physics, I believe, as well as religion.) The parts change and pass, or die, people and races and rocks and stars, none of them seems to me important in itself, but only the whole. This whole is in all its parts so beautiful, and is felt by me to be so intensely in earnest, that I am compelled to love it and to think of it as divine. It seems to me that this whole alone is worthy of the deeper sort of love and there is peace, freedom, I might say a kind of salvation, in turning one's affections outward toward this one God, rather than inwards on one's self, or on humanity, or on human imaginations and abstractions — the world of spirits. I think it is our privilege and felicity to love God for his beauty, without claiming or expecting love from him. We are not important to him, but he to us.
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When I first went to Occidental College... there was a literary magazine...called the Aurora, and I remember thinking it odd that Occidental — the west, the setting sun — should be represented by a magazine called Aurora, the dawn. At least it gave us a wide range, the whole daylight sky. I was continually writing verses in those days. Nobody, not even I myself, thought they were good verses; but Aurora's editor accepted many of them and it gave me pleasure to see my rhymes in print. They did rhyme, if that is any value, and were usually metrical, but why was I so eager to publish what hardly anyone would read and no one would remember? I suppose the desire for publication is a normal part of the instinct for writing... the writer sits at home, and the mere fact of being printed provides his verses with a kind of audience... So, having his vanity partially satisfied, he can go ahead and try better work.
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