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A couple of years ago, a friend wrote to urge me to focus on the lyrical end of my writing rather than activism and I wrote back, “What is the purpos… - Rebecca Solnit
" "A couple of years ago, a friend wrote to urge me to focus on the lyrical end of my writing rather than activism and I wrote back, “What is the purpose of resisting corporate globalization if not to protect the obscure, the ineffable, the unmarketable, the unmanageable, the local, the poetic, and the eccentric? So they need to be practiced, celebrated, and studied too, right now.” I could have added that they themselves become forms of resistance; the two are not necessarily separate practices. (p68)
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About Rebecca Solnit
Rebecca Solnit (born June 24, 1961) is an American writer. She has written on a variety of subjects, including feminism, the environment, politics, place, and art.
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Additional quotes by Rebecca Solnit
Rape culture is an environment in which rape is prevalent and in which sexual violence against women is normalized and excused in the media and popular culture. Rape culture is perpetuated through the use of misogynistic language, the objectification of women’s bodies, and the glamorization of sexual violence, thereby creating a society that disregards women’s rights and safety. Rape culture affects every woman. Most women and girls limit their behavior because of the existence of rape. Most women and girls live in fear of rape. Men, in general, do not. That’s how rape functions as a powerful means by which the whole female population is held in a subordinate position to the whole male population, even though many men don’t rape, and many women are never victims of rape.
We tend to treat violence and the abuse of power as though they fit into airtight categories: harassment, intimidation, threat, battery, rape, murder. But I realize now that what I was saying is: it’s a slippery slope. That’s why we need to address that slope, rather than compartmentalizing the varieties of misogyny and dealing with each separately. Doing so has meant fragmenting the picture, seeing the parts, not the whole.
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