Swans don’t eat marzipan,” Fritz broke in quite roughly, “and Godfather Drosselmeier can’t make a whole park. Actually, we get little out of his toys… - E. T. A. Hoffmann

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Swans don’t eat marzipan,” Fritz broke in quite roughly, “and Godfather Drosselmeier can’t make a whole park. Actually, we get little out of his toys. They’re promptly taken away from us. So I much prefer what Mama and Papa give us. We can keep their presents nicely and do whatever we like with them.

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About E. T. A. Hoffmann

Ernst Theodor Wilhelm Hoffmann (24 January 1776 – 25 June 1822), better known by his pen name E. T. A. Hoffmann, was a German Romantic author of fantasy and horror, a jurist, composer, music critic, draftsman and caricaturist. He is the subject and hero of Jacques Offenbach's opera The Tales of Hoffmann, a fictionalized account.

Biography information from Wikiquote

Also Known As

Native Name: Ernst Theodor Amadeus Hoffmann
Alternative Names: Ernst Theodor Wilhelm. Hoffman Ernst Theodor Amedeus Hoffmann Ernst Theodor Wilhelm Hoffman E.T.A. Hoffmann Ernst Theodor Hoffmann Amadeus Hoffman Amadeus Hoffmann E. T. Hoffmann ernst theodor amadeus hoffmann e. th. a. hoffmann Ernst Theodore Wilhelm Hoffmann Ernst T. A. Hoffmann Ernst Theodor Wilhelm Hoffmann
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Additional quotes by E. T. A. Hoffmann

Confectioner’ is our name for an unknown but very ghastly power that we believe can do whatever we like to a human being. It is the doom hanging over this small, cheerful nation. And this little nation is so frightened that the mere mention of its name can silence the loudest tumult, as was just proved by the mayor. Each man then stops thinking about earthly matters, about pokes in the ribs and bumps on the head. Instead, he draws into himself and says: ‘What is man and what can become of him?

Yet although I could not resist doing so, my sleep was not interrupted. The door opened and a dark figure entered whom I recognized to my horror as my own self in Capuchin robes, with beard and tonsure. The figure came nearer and nearer my bed: I lay motionless, and every sound I tried to utter was stifled in the trance that gripped me. The figure sat down on my bed and leered mockingly at me.

“You must come with me,” it said. “Let us climb on to the roof beneath the weathercock, which is playing a merry tune for the owl's wedding. Up there we will fight with each other, and the one who pushes the other over will become king and be able to drink blood.”

I felt the figure take hold of me and lift me up. With a strength born of desperation I screamed:
“You are not me, you are the Devil!” - and clawed at the face of the menacing spectre. But my fingers went through his eyes as if they were empty cavities, and the figure burst into strident laughter.

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He was, however, obliged to leave the university, because Nathaniel's story had created a sensation, and it was universally considered a quite unpardonable trick to smuggle a wooden doll into respectful tea parties in place of a living person.

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