What better terrain than the field of sf to "engage colonial power in the spirit of a struggle for survival," the warrior ethic that Taiaiake Alfred … - Grace Dillon

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What better terrain than the field of sf to "engage colonial power in the spirit of a struggle for survival," the warrior ethic that Taiaiake Alfred (Kanien'kehaka) urges Natives to embrace as "thinkers, teachers, writers, and artists"? What better mindscape from which to "look at traditions in a critical way, not trying to take them down, but to test them and to make sure they're still strong"?

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About Grace Dillon

Grace L. Dillon is an academic and author who is of Anishinaabe and European descent. She is a professor in the Indigenous Nations Studies Program, in the School of Gender, Race, and Nations at Portland State University. She edited Walking the Clouds: An Anthology of Indigenous Science Fiction and coined the term Indigenous Futurisms.

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Alternative Names: Grace L. Dillon
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The reason I’m interested in science fiction is that when I was little and we had firesides, sweats, and other ceremonies, we were telling stories about star peoples that came to earth in, basically, space canoes. For me, the concept of a spaceship was not unusual. And, of course, we are all star people. We are made of stardust, which is scientifically accurate. Everything is made of stardust.

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Recurring elements in alternative Native stories include the Sand Creek Massacre of 1864, the Battle of Little Big Horn and Custer's demise (1876), the Ghost Dances after the Wounded Knee Massacre in 1890 (albeit many forms of Ghost Dances occurred historically prior to Wounded Knee), and the Oka uprisings of the 1990s at Kahnesatake. The Ghost Dance may be the most widespread image connected to Native Apocalypse

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