I've seen that harshness in policies handed out to Aboriginal people over decades, and it doesn't seem to get any better. That's how the politics are played out: not doing the best you can do for someone, but working out how you can beat your opponent. So the swans are a different way of pausing and reflecting on what's happening in the world, and doing it in a light way.
Indigenous Australian writer
Alexis Wright FAHA (born 25 November 1950) is a Waanyi (Aboriginal Australian) writer. As of 2023, Wright has produced four novels, one biography, and several works of prose. Her work also appears in anthologies and journals.
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I think that it is amazing to have a culture where stories were treasured over countless millenniums, and kept sacred to this day. It is a unique undertaking to have a governing system that was built to ensure the sustainability of the country, and built on the idea of preserving peace and cooperation between people. When you look at it in this way, this was a far more sophisticated form of culture than ones that seek to colonise others or create wars. These laws and spiritual ideas about country are known and understood by every Aboriginal person, and I think because there is such emphasis on stories, storytelling is almost second nature to most Aboriginal people.
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It’s a really important thing for Aboriginal people to remember how stories are told and the power of stories, and make it an important feature in our world again...English is my language because of the history and what I try to do, and I did that in Carpentaria in particular, is to write in the way we tell stories and in the voice of our own people and our own way of speaking
She remembered Aunty Bella Donna of the Champions once saying that no story was worth telling if no one could remember the lesson in it. These were stories that have made no difference to anyone. Old Aunty was fading away forever. But... even true stories have to be invented sometimes to be remembered. Ah! The truth was always forgotten. (p210)
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(what is one thing that you want people to take away from The Swan Book?) AW: Just to be kind to the world – it is the only one we have, and to be kinder to each other and to see the beauty and genius in all our cultures, and to see the beauty and right to exist and thrive of the creatures sharing this planet with us. The Swan Book asks for respect and the need to gain greater knowledge and respect for the responsibilities that Indigenous peoples have for the good stewardship of the world.
The Aboriginal caretakers of their traditional country have always understood its power, and why it is so important to care for the land through developing an important system of laws that created great responsibility for caring for the stories and powers of the ancestors. These narratives of great and old wisdom are the true constitution for this country, and urgently need to be upfront in the national narrative in understanding how to care for it.
Upstairs in my brain, there lives this kind of cut snake virus in its doll's house. Little stars shining over the moonscape garden twinkle endlessly in a crisp sky. The crazy virus just sits there on the couch and keeps a good old qui vive out the window for intruders. It ignores all of the eviction notices stacked on the door. The virus thinks it is the only pure full-blood virus left in the land. Everything else is just half-caste. Worth nothing! Not even a property owner. Hell yes! it thinks, worse than the swarms of rednecks hanging around the neighborhood. Hard to believe a brain could get sucked into vomiting bad history over the beautiful sunburnt plains. Inside the doll's house the virus manufactures really dangerous ideas as arsenal, and if it sees a white flag unfurling, it fires missiles from a bazooka through the window into the flat, space, field or whatever else you want to call life. The really worrying thing about missile-launching fenestrae is what will be left standing in the end, and which splattering of truths running around in my head about a story about a swan with a bone will last on this ground. (first lines)