Magick is the Science and Art of causing Change to occur in conformity with Will. (Illustration: It is my Will to inform the World of certain facts w… - Aleister Crowley

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Magick is the Science and Art of causing Change to occur in conformity with Will. (Illustration: It is my Will to inform the World of certain facts within my knowledge. I therefore take "magical weapons", pen, ink, and paper; I write "incantations" — these sentences — in the "magical language" ie, that which is understood by the people I wish to instruct; I call forth "spirits", such as printers, publishers, booksellers and so forth and constrain them to convey my message to those people. The composition and distribution of this book is thus an act of Magick by which I cause Changes to take place in conformity with my Will.) In one sense Magick may be defined as the name given to Science by the vulgar.

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About Aleister Crowley

Aleister Crowley (12 October 1875 – 1 December 1947), born Edward Alexander Crowley, was a British occultist, mystic, poet, and social provocateur, famous for his development of the philosophical system called Thelema, and his concepts of magic, which he called Magick.

Biography information from Wikiquote

Also Known As

Also Known As: the Beast 666 Master Therion
Alternative Names: Edward Alexander Crowley H.D. Carr Therion
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Additional quotes by Aleister Crowley

"Remember that which is written: "Moderate strength rings the bell: great strength returns the penny." It is always the little bit extra that brings home the bacon. It is the last attack that breaks through the enemy position. Water will never boil, however long you keep it at 99° C. You may find that a Pranayama cycle of 10-20-30 brings no result in months; put it up to 10-20-40, and Dhyana comes instantly. When in doubt, push just a little bit harder. You have no means of finding out what are exactly the right conditions for success in any practice; but all practices are alike in one respect; the desired result is in the nature of orgasm."

Am I right in suggesting that ordinary life is a mean between these extremes, that the noble man devotes his material wealth to lofty ends, the advancement of science, or art, or some such true ideal; and that the base man does the opposite by concentrating all his abilities on the amassing of wealth?'

Exactly; that is the real distinction between the artist and the bourgeois, or, if you prefer it, between the gentleman and the cad. Money, and the things money can buy, have no value, for there is no question of creation, but only of exchange. Houses, lands, gold, jewels, even existing works of art, may be tossed about from one hand to another; they are so, constantly. But neither you nor I can write a sonnet; and what we have, our appreciation of art, we did not buy. We inherited the germ of it, and we developed it by the sweat of our brows. The possession of money helped us, but only by giving us time and opportunity and the means of travel. Anyhow, the principle is clear; one must sacrifice the lower to the higher, and, as the Greeks did with their oxen, one must fatten and bedeck the lower, so that it may be the worthier offering.

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There is little danger that any student, however idle or stupid, will fail to get some result; but there is great danger that he will be led astray, obsessed and overwhelmed by his results, even though it be by those which it is necessary that he should attain. Too often, moreover, he mistaketh the first resting-place for the goal, and taketh off his armour as if he were a victor ere the fight is well begun. It is desirable that the student should never attach to any result the importance which it at first seems to possess.

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