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They had all been things, not people, to each other, which after all is the only sensible and fruitful attitude in a thing-dominated world. (Except, … - James Blish
" "They had all been things, not people, to each other, which after all is the only sensible and fruitful attitude in a thing-dominated world. (Except, of course, for Father Domenico, whose desire to prevent anybody from accomplishing anything, chiefly by wringing his hands, had to be written off as the typical, incomprehensible attitude of the mystic—a howling anachronism in the modern world, and predictably ineffectual.) And in point of fact none of them—not even Father Domenico—could fairly be said to have failed. Instead, they had all been betrayed. Their plans and operations had all depended implicitly upon the existence of God—even Jack, who had entered Positano as an atheist, had been reluctantly forced to grant that—and in the final pinch, He had turned out to have been not around any more after all. If this shambles was anyone’s fault, it was His.
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About James Blish
James Benjamin Blish (May 23, 1921 – July 30, 1975) was an American author of fantasy and science fiction. Blish also wrote literary criticism of science fiction using the pen-name William Atheling Jr.
Also Known As
Pen Names:
William Atheling, Jr.
Birth Name:
James Benjamin Blish
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Additional quotes by James Blish
There was one wing of the conservatives, however, which had gone the 12-tone procedure one better. These men composed what was called “stochastic music,” put together by choosing each individual note by consultation with tables of random numbers. Their bible, their basic text, was a volume called Operational Aesthetics, which in turn derived from a discipline called information theory, and not one word of it seemed to touch upon any of the techniques and customs of composition known to Strauss. The ideal of this group was to produce music which would be “universal”—that is, wholly devoid of any trace of the composer’s individuality, wholly a musical expression of the universal Laws of Chance. The Laws of Chance seemed to have a style of their own, all right, but to Strauss it seemed the style of an idiot child being taught to hammer a flat piano to keep him from getting into trouble.
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