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" "Die Walküre is endured by the average man because it contains four scenes for which he would sit out a Scotch sermon, or even a House of Commons debate. These are the love duet in the first act, Brunnhilde's announcement of death in the second, the ride of the Valkyries and the 'fire-charm' in the third. For them the ordinary playgoer endures hours of Wotan, with Christopher Sly's prayer in his heart. 'Would 'twere over!' Now, I am one of those elect souls who are deeply moved by Wotan. I grant you that as a long-winded, one-eyed gentleman backing a certain champion in a fight and henpecked out of his fancy because his wife objects to the moral character of the champion, he is a dreary person indeed . . . but to one who has understood all its beauties, its lofty aspirations, its tragedy, there is nothing trivial, nothing tedious in Die Walküre.
George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist with a range incorporating both contemporary satire and historical allegory. He wrote more than sixty plays, including such works as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). Shaw was awarded the Nobel Prize in Literature in 1925.
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In truth, mankind cannot be saved from without, by schoolmasters or any other sort of masters: it can only be lamed and enslaved by them. It is said that if you wash a cat it will never again wash itself. This may or may not be true: what is certain is that if you teach a man anything he will never learn it; and if you cure him of a disease he will be unable to cure himself the next time it attacks him.