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" "As for my work, I can say that it reaches its end. [...] I do not want my Quartet to be published and played before it has been tried out in front of my friends, who have always been the first to hear my works: Dukas, Poujaud, Lalo, de Lallemand. I trust their judgment and it is to them that I leave the decision of whether this Quartet should be published or destroyed.
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French Romantic composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers.
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It was not just in the Andante of the Second Quartet that I remembered having translated (almost involuntarily) the distant memory of bells which in the evening at Montgauzy — and this is some time ago — came to us from a village called Cadillac when the wind blew from the west. From this dull sound a vague dreaminess arose, which, like all vague dreams, is literally untranslatable. Only, does it not happen often that some exterior fact numbs us so that our thoughts become so imprecise that in reality they are not thoughts, and yet are nevertheless something in which we can take pleasure? The desire for things which do not exist perhaps, and this is indeed where music holds sway.