I mark my years or parenting by the people who stepped in and forced me to abandon my inclination to meddle, micromanage, and coddle, beginning with … - Anna Quindlen

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I mark my years or parenting by the people who stepped in and forced me to abandon my inclination to meddle, micromanage, and coddle, beginning with my children's father, who sat me down and told me in year two that I was going to create a little monster if I continuted to act as though "no" and "I don't love you" were synonomous.

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About Anna Quindlen

Anna Quindlen (born July 8, 1952) is an American journalist and opinion columnist whose New York Times column, Public and Private, won the Pulitzer Prize for Commentary in 1992.

Also Known As

Alternative Names: Anna Marie Quindlen

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Additional quotes by Anna Quindlen

In books I have traveled, not only to other worlds, but into my own. I learned who I was and who I wanted to be, what I might aspire to, and what I might dare to dream about my world and myself. More powerfully and persuasively than from the "shalt nots" of the Ten Commandments, I learned the difference between good and evil, right and wrong. A Wrinkle in Time described that evil, that wrong, existing in a different dimension from our own. But I felt that I, too, existed much of the time in a different dimension from everyone else I knew. There was waking, and there was sleeping. And then there were books, a kind of parallel universe in which anything might happen and frequently did, a universe in which I might be a newcomer but was never really a stranger. My real, true world. My perfect island.

And then sometimes we become one of those people and are amazed, not by our own strength but by that indomitable ability to slog through adversity, which looks like strength from the outside and just feels like every day when it’s happening to you.

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I read and reread and recommended and rarely rejected, became one of those readers who will read trashy stories as long as they're not too terrible — well, even perhaps the truly terrible ones — and will reread something she's already read, even if it's something like a detective novel, when you'd suspect that knowing who had really killed the countess would materially detract from the experience. (It doesn't, and besides, I often can't remember who the murderer was in the first place.)

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