My grandfather used to like the word 'mitigate,'" Harry said. "He liked the sound of it, and he used it whenever he could. When he was a very old man… - Joseph Mitchell (writer)
" "My grandfather used to like the word 'mitigate,'" Harry said. "He liked the sound of it, and he used it whenever he could. When he was a very old man, he often got on the subject of dying. 'You cant talk your way out,' he'd often say, 'and you can't buy your way out, and you can't shoot your way out, and the only thing that mitigates the matter in the slightest is the fact that nobody else is going to escape. Nobody — no, not one.'" "I know, I know," said Mr. Hewitt, "but what's the purpose of it?" "You supported your wife, didn't you?" asked Harry. "You raised a family, didn't you? That's the purpose of it." "That's no purpose," said Mr. Hewitt. "The same thing that's going to happen to me is going to happen to them." "The generations have to keep coming along," said Harry. "That's all I know." "You're put here, " said Mr. Hewitt, "and you're allowed to eat and draw breath and go back and forth a few short years, and about the time you get things in shape where you can sit down and enjoy them you wind up in a box in a hole in the ground, and as far as I can see, there's no purpose to it whatsoever.
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About Joseph Mitchell (writer)
Joseph Quincy Mitchell (July 27, 1908 – May 24, 1996) was an American writer best known for his works of creative nonfiction he published in The New Yorker. His work primarily consists of character studies, where he used detailed portraits of people and events to highlight the commonplace of the world, especially in and around New York City.
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Additional quotes by Joseph Mitchell (writer)
Mazie became interested in Catholicism in the winter of 1920. A drug addict on Mulberry Street, a prostitute with two small daughters, came to her cage one night and asked for help. The woman said her children were starving. "I knew this babe was a junky," Mazie says, "and I followed her home just to see was she lying about her kids. She had two kids all right, and they were starving in this crummy little room. I tried to get everybody to do something — the cops, the Welfare, the so-called missions on the Bowery that the Methodists run or whatever to hell they are. But all these people said the girl was a junky. That excused them from lifting a hand. So I seen two nuns on the street, and they went up there with me. Between us, we got the woman straightened out. I liked the nuns. They seemed real human. Ever since then I been interested in the Cat'lic Church."
It is perhaps an ugly comment on the American press, but the function of the interviewer on most newspapers is to entertain, not to shed light. ... An interviewer soon begins to judge public figures on the basis of their entertainment value, overlooking their true importance. It is not easy to get an interview with Professor Franz Boas, the greatest anthropologist in the world, across a city desk, but a mild interview with Oom the Omnipotent will hit the bottom of page one under a two-column head. ... It is safe to write accurately only about the nuts and the bums. When a public figure does something ridiculous reporters may then write about him accurately.
Even today, I sometimes get really quite painfully homesick for Norwood. A sour smell that reminds me of the tanneries will bring it on, such as the smell from a basement down in the Italian part of the Village where some old Italian is making wine. That's one of the damnedest things I ever found out about human emotions and how treacherous they can be — the fact that you can hate a place with all your heart and soul and still be homesick for it. Not to speak of the fact that you can hate a person with all your heart and soul and still long for that person.
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