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" "Life is a pageant that passes very quickly, going hastily from one darkness to another darkness with only ignes fatui to guide; and there is no sense in it. I learned that, Kerin, without moiling over books. But life is a fine ardent spectacle; and I have loved the actors in it: and I have loved their youth and high-heartedness, and their ungrounded faiths, and their queer dreams, my Kerin, about their own importance and about the greatness of the destiny that awaited them, — while you were piddling after, of all things, the truth!
James Branch Cabell (14 April 1879 – 5 May 1958) was an American author of satirical fantasy works, most notably The Cream of the Jest, Jurgen, A Comedy of Justice, Figures of Earth, and other works in the series known as Biography of the Life of Manuel.
Biography information from Wikiquote
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The magician looked at the tall warrior for a while, and in the dark soft eyes of Miramon Lluagor was a queer sort of compassion. Miramon said, "Yes, Manuel, these portents have marked your living thus far, just as they formerly distinguished the beginnings of Mithras and of Huitzilopochtli and of Tammouz and of Heracles—" "Yes, but what does it matter if these accidents did happen to me, Miramon?" "— As they happened to Gautama and to Dionysos and to Krishna and to all other reputable Redeemers," Miramon continued. "Well, well, all this is granted. But what, pray, am I to deduce from all this?" Miramon told him. Dom Manuel, at the end of Miramon's speaking, looked peculiarly solemn, and Manuel said: "I had thought the transformation surprising enough when King Ferdinand was turned into a saint, but this tops all! Either way, Miramon, you point out an obligation so tremendous that the less said about it, the wiser; and the sooner this obligation is discharged and the ritual fulfilled, the more comfortable it will be for everybody."
I think there is something in me which will endure. I am fettered by cowardice, I am enfeebled by disastrous memories; and I am maimed by old follies. Still, I seem to detect in myself something which is permanent and rather fine. Underneath everything, and in spite of everything, I really do seem to detect that something. What rôle that something is to enact after the death of my body, and upon what stage, I cannot guess. When fortune knocks I shall open the door.
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"Listen," Francois said. "Yonder is Paris — laughing, tragic Paris, who once had need of a singer to proclaim her splendor and all her misery. Fate made the man; in necessity's mortar she pounded his soul into the shape Fate needed. To king's courts she lifted him; to thieves' hovels she thrust him down; and past Lutetia's palaces and abbeys and taverns and lupanars and gutters and prisons and its very gallows — past each in turn the man was dragged, that he might make the Song of Paris. He could not have made it here in the smug Rue Saint Jacques. Well! the song is made, Catherine. So long as Paris endures, Francois Villon will be remembered. Villon the singer Fate fashioned as was needful: and, in this fashioning, Villon the man was damned in body and soul. And by God! the song was worth it!"