"Listen," Francois said. "Yonder is Paris — laughing, tragic Paris, who once had need of a singer to proclaim her splendor and all her misery. Fate m… - James Branch Cabell

"Listen," Francois said. "Yonder is Paris — laughing, tragic Paris, who once had need of a singer to proclaim her splendor and all her misery. Fate made the man; in necessity's mortar she pounded his soul into the shape Fate needed. To king's courts she lifted him; to thieves' hovels she thrust him down; and past Lutetia's palaces and abbeys and taverns and lupanars and gutters and prisons and its very gallows — past each in turn the man was dragged, that he might make the Song of Paris. He could not have made it here in the smug Rue Saint Jacques. Well! the song is made, Catherine. So long as Paris endures, Francois Villon will be remembered. Villon the singer Fate fashioned as was needful: and, in this fashioning, Villon the man was damned in body and soul. And by God! the song was worth it!"

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About James Branch Cabell

James Branch Cabell (14 April 1879 – 5 May 1958) was an American author of satirical fantasy works, most notably The Cream of the Jest, Jurgen, A Comedy of Justice, Figures of Earth, and other works in the series known as Biography of the Life of Manuel.

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I manage affairs as best I can, Jurgen. But they get in a fearful muddle sometimes. Eh, sirs, I have no competent assistants. I have to look out for everything, absolutely everything! And of course, while in a sort of way I am infallible, mistakes will occur every now and then in the actual working out of plans that in the abstract are right enough. So it really does please me to hear anybody putting in a kind word for things as they are, because, between ourselves, there is a deal of dissatisfaction about. And I was honestly delighted, just now, to hear you speaking up for evil in the face of that rapscallion monk. So I give you thanks and many thanks, Jurgen, for your kind word.

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I think there is something in me which will endure. I am fettered by cowardice, I am enfeebled by disastrous memories; and I am maimed by old follies. Still, I seem to detect in myself something which is permanent and rather fine. Underneath everything, and in spite of everything, I really do seem to detect that something. What rôle that something is to enact after the death of my body, and upon what stage, I cannot guess. When fortune knocks I shall open the door.

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