The purblind majority quite honestly believed that literature was meant to mimic human life, and that it did so. And in consequence, their love-affai… - James Branch Cabell

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The purblind majority quite honestly believed that literature was meant to mimic human life, and that it did so. And in consequence, their love-affairs, their maxims, their so-called natural ties and instincts, and above all, their wickedness, became just so many bungling plagiarisms from something they had read, in a novel or a Bible or a poem or a newspaper. People progressed from the kindergarten to the cemetery assuming that their emotion at every crisis was what books taught them was the appropriate emotion, and without noticing that it was in reality something quite different. Human life was a distorting tarnished mirror held up to literature: this much at least of Wilde's old paradox — that life mimicked art — was indisputable. Human life, very clumsily, tried to reproduce the printed word.

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About James Branch Cabell

James Branch Cabell (14 April 1879 – 5 May 1958) was an American author of satirical fantasy works, most notably The Cream of the Jest, Jurgen, A Comedy of Justice, Figures of Earth, and other works in the series known as Biography of the Life of Manuel.

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Additional quotes by James Branch Cabell

Analogues are all very well, and they have the unanswerable sanction of custom: none the less, when I proclaim that my adored mistress's hair reminds me of gold I am quite consciously lying. It looks like yellow hair, and nothing else: nor would I willingly venture within ten feet of any woman whose head sprouted with wires, of whatever metal. And to protest that her eyes are as gray and fathomless as the sea is very well also, and the sort of thing which seems expected of me: but imagine how horrific would be puddles of water slopping about in a lady's eye-sockets! If we poets could actually behold the monsters we rhyme of, we would scream and run.

So they fought. Now Jurgen was a very acceptable swordsman, but from the start he found in Heitman Michael his master. Jurgen had never reckoned upon that, and he considered it annoying. If Heitman Michael perforated Jurgen the future would be altered, certainly, but not quite as Jurgen had decided it ought to be remodeled. So this unlooked-for complication seemed preposterous, and Jurgen began to be irritated by the suspicion that he was getting himself killed for nothing at all.

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