It was more or less directly as a result of my visit to Piet Mondrian’s studio in 1930, and the sight of all his rectangles of color deployed on the … - Alexander Calder

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It was more or less directly as a result of my visit to Piet Mondrian’s studio in 1930, and the sight of all his rectangles of color deployed on the wall, that my first work in the abstract was based on the concept of stellar relationships. Since then there have been variations from this theme, but I always seem to come back to it, in some form or other. For though the lightness of a pierced or serrated solid or surface is extremely interesting the still greater lack of weight of deployed nuclei is much more so.

English
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About Alexander Calder

(August 22, 1898 – November 11, 1976) was an American sculptor known as the originator of the mobile, a type of Kinetic art made with delicately balanced or suspended components which move in response to motor power or air currents.

Also Known As

Pen Names: Calder, Sandy, 1898-1976
Alternative Names: Sandy Calder Calder
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Additional quotes by Alexander Calder

I started [in Paris, 1920's, making toys] right away, using wire as my main material as well as working with others like string, leather, fabric and wood. Wood combined with wire (with which I could make the heads, tails and feet of animals as well as articulating parts) was almost always my medium of choice. One friend of mine suggested that I should make bodies entirely of wire, and that is how I started to make what I called 'Wire Sculpture'. In Montparnasse, I became known as the 'King of Wire'.

Wherever there is a main issue the elimination of other things which are not essential will make for a stronger result. In the earlier static abstract sculptures I was most interested in space, vectoral quantities, and centers of differing densities.

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