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"To that extent that you can sustain and maintain that childlike part of your personality is probably the best part of acting.

Quoted in "Paul Newman's Road To Glory", interview with Paul Fischer, Film Monthly (2002-07-01)"

Interviewer: What advice do you have for kids who are as an actress? Either way I would encourage kids to make good choices, don’t get forced into things due to peer pressure, lead a healthy and safe life, and excel in the things you love. You can be great at anything, as long as you like doing it.

I learned that kids are like actors on a set: They want to know that their director gives a shit, has an actual plan and, just maybe, knows what he’s doing. In other words, they want leadership. And you can’t attempt to lead by being all things to all people or a slave to PC society

Actors are so filled with wonder and imagination that when they get it, they get it real quick, no matter how strange something is; they get it, and their talent is to make it real from a deep place. When that happens it's really, really beautiful.

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Actors are so filled with wonder and imagination and they get it so quick, no matter how strange something is. They get it, and their talent is to make it real from a deep place. When that happens it's really, really beautiful.

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In a way, … growing up like this with Harry makes it easier to act in each of the films, because I've been through all the stuff that he's going through, like the hormones, relatively recently. So it's quite fresh in my mind. And then I suppose it's been made easier by the fact I've been playing Harry Potter since I was 12. You get to know the character so well that it makes it easier to act in the long run.

I realised I had a talent for acting when all the grown-ups around me started to pay a little more attention to me and started to encourage me and my love for it. I just knew I loved playing pretend, as most children do, but it seemed to grow and deepen in me the older I became

I don't understand acting. Sometimes I only understand it while I'm doing it, and sometimes not even then. You cannot study acting. You can get new tools to use..., but you can't become something by studying, you just can't. You can become better. But some people can't even do that. They are best when they are very young because they are restless. When the restlessness settles, the acting goes. When acting goes for me, I'll just stop and do something else. I hope I always will get better and better, meaning bigger and bigger and more courageous and deeper and lighter and more flexible. But when it's time to go, it's time to go. There is no use trying to ride a wooden horse.

I was a super shy, awkward kid, and performing was a comfortable and joyful way of expressing myself that allowed me the freedom to do so. The passion for acting grew from there. From the time I was little, being on the stage or inhabiting a character was always where I was happiest.

Do you remember when you were young, and you’d stare at someone on-stage and think ‘Oh my God—he looked right at me?’ I do, so I have this kind of rescue-fantasy thing. When I see kids in the audience I think, ‘Okay, that’s me, and it would be kind of cool if the person on-stage would come down and save me.’ I’m not going to be able to save every one of them, but I’ll do my best, because I genuinely like kids. If I didn’t have my lust for my art, I probably would have ended up working with them.

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