If you spend a hundred bucks, or more, to go to the theatre, something should happen to you. Maybe somebody should be asking you some questions about… - Edward Albee

HONEY: (Apologetically, holding up her brandy bottle) I peel labels.
GEORGE: We all peel labels, sweetie; and when you get through the skin, all three layers, through the muscle, slosh aside the organs (An aside to NICK) them which is still sloshable — (Back to HONEY) and get down to bone...you know what you do then?
HONEY: (Terribly interested) No!
GEORGE: When you get down to bone, you haven't got all the way, yet. There's something inside the bone...the marrow...and that's what you gotta get at. (A strange smile at MARTHA)

I survive almost any onslaught with a shrug, which must appear as arrogance, but really isn't because I'm not an arrogant person. When you write a play, you make a set of assumptions — that you have something to say, that you know how to say it, that it's worth saying, and that maybe someone will come along for the ride. That's all. And then you go about your business, assuming you'd be the first to know if your talent has collapsed. I don't think I've been a commercial playwright ever. By some curious mischance, a couple of my plays managed to hit an area where commercial success was feasible. But it's wrong to think I'm a commercial playwright who has somehow ceased his proper function. I have always been the same thing — which is not a commercial playwright. I'm not after the brass ring. I very seldom get it anyway, and then it's accidental when I do. … So I write those things that interest me.

People can't have everything they want. You should know that; it's a rule; people can have some of the things they want, but they can't have everything.