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" "There was a beautiful stretch of time-the sixties, early seventies-when everybody's musical culture was together, and that was great. But now the shared culture is television commercials.
Alicia Suskin Ostriker (born November 11, 1937) is an poet and scholar who is Jewish and lives in the USA.
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The greatest women writers of the past (at least in the English language, which is the only language I know well enough to survey), with the possible exception of the Brontës, and of Emily more than Charlotte, are always constrained by some pinching corset of timidity, some obscuring veil of inhibition, absent in their male peers. Why did George Eliot punish or kill those heroines who were most restlessly and intelligently like herself? Why does Virginia Woolf explain that she did not write about the experiences of the body because to do so would have incurred censure, where D. H. Lawrence and James Joyce wrote and let censure and censors be damned? Why-this one pains me the most-if there are two poetic geniuses of equal immensity in mid-nineteenth century America, does one of them say "I celebrate myself" and "What I assume you shall assume," while the other one says, "I'm nobody?" Not because the women were more moral or less egotistical than the men, nor because they were obeying their natures, but because they were afraid. "Tell all the truth but tell it slant," writes Emily Dickinson, not because evasion is intrinsically poetic, but because she is afraid.
I don't think of poetry as therapy for the poet. Poetry can be therapeutic for its readers, by articulating for them what they cannot say for themselves, and enabling them to understand their experience as belonging to a larger pattern. But not for the poet. Spilling one's guts isn't what it's about, either. Finding the truth that lies beneath or behind the truth you already know, finding a form for it, creating a piece of beauty-that is the poet's task. You might say that poetry is diagnostic, rather than therapeutic. Poetry is a diagram of reality. A distillation of reality, that may make us free. You might also notice that there is a fair amount of joking in those poems. I think it is important to leaven tragedy with levity. That's something I learned from Allen Ginsberg.