Almost every evening [in their common early-Cubist years, in Paris], either I went to Braque's studio or Braque came to mine. Each of us had to see w… - Pablo Picasso

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Almost every evening [in their common early-Cubist years, in Paris], either I went to Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's paintings. A canvas wasn't less both of us fear p. 311

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About Pablo Picasso

Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish artist who lived and worked in Paris for many years. Around 1906–1908 together with Georges Braque Picasso initiated cubism, based on a strong inspiration of Paul Cézanne's work.

Biography information from Wikiquote

Also Known As

Alternative Names: Pablo Ruiz Y Picasso Pablo Ruiz Pablo Ruys Picasso Pablo Ruiz Picasso Pablo Ruys Picasso Pablo Ruiz y Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso Pablo Diego Jose Francisco de Paula Juan Nepomuceno Crispin Crispiniano de la Santissima Trinidad Ruiz Blasco Picasso P. Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno Cipriano de la Santísima Trinidad Ruiz Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Cipriano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno Crispín Crispiniano de la Santísima Trinidad María de los Remedios Alarcón y Herrera Ruiz Picasso
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Additional quotes by Pablo Picasso

We all know that art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand.

Bad artists copy. Good artists steal.

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The idea of research has often made painting go astray, and made the artist lose himself in mental lucubrations. Perhaps this has been the principal fault of modern art. The spirit of research has poisoned those who have not fully understood all the positive and conclusive elements in modern art and has made them attempt to paint the invisible and, therefore, the unpaintable.

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