For me the Koenigsberg longshoremen had beauty; the Polish jimkes on their grain ships had beauty; the broad freedom of movement in the gestures of t… - Käthe Kollwitz

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For me the Koenigsberg longshoremen had beauty; the Polish jimkes on their grain ships had beauty; the broad freedom of movement in the gestures of the common people had beauty. Middle-class people held no appeal for me at all. Bourgeois life on the whole seemed to me pedantic.

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About Käthe Kollwitz

Käthe Schmidt Kollwitz (July 8, 1867 – April 22, 1945) was a German painter, printmaker, and sculptor whose work offered an eloquent and often searing account of the human condition in the first half of the 20th century. Her empathy for the less fortunate, expressed most famously through the graphic means of drawing, etching, lithography, and woodcut, embraced the victims of poverty, hunger and war.

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Also Known As

Alternative Names: Kathe Kollwitz Käthe Schmidt Kollwitz Käthe née Schmidt Kaethe Kollwitz Kėte Kolʹvit︠s︡ Käthe Schmidt Kʻo-le-hui-chih Kathe Schmidt Kathe nee Schmidt Kollwitz Käthe Kollwitz-Schmidt Käthe Ida Schmidt k. kollwitz Kollwitz Kathe Schmidt Kate Kollowitz
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Additional quotes by Käthe Kollwitz

The working-class woman shows me much more than the ladies who are totally limited by conventional behavior. The working-class woman shows me her hands, her feet, and her hair. She lets me see the shape and form of her body through her clothes. She presents herself and the expression of her feelings openly, without disguises.

I have been through a revolution, and I am convinced that I am no revolutionist. My childhood dreams of dying on the barricades will hardly be fulfilled, because I should hardly mount a barricade now that I know what they were like in reality. And so I know now what an illusion I lived in for so many years. I thought I was a revolutionary and was only an evolutionary. Yes, sometimes I do not know whether I am a socialist at all, whether I am not rather a democrat instead. How good it is when reality tests you to the guts and pins you relentlessly to the very position you always thought, so long as you clung to your illusion, was unspeakably wrong.

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My work is not, of course, pure art in the sense that Schmidt-Rottluff's is, but it is art nonetheless... It is all right with me that my work serves a purpose. I want to have an effect on my time, in which human beings are so confused and in need of help.

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