We are talking over telephones, as Shakespeare could not talk; We are riding out in motor-cars where Homer had to walk; And pictures Dante labored on… - James Branch Cabell

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We are talking over telephones, as Shakespeare could not talk; We are riding out in motor-cars where Homer had to walk; And pictures Dante labored on of mediaeval Hell The nearest cinematograph paints quicker, and as well. <p> But ye copy, copy always; — and ye marvel when ye find This new beauty, that new meaning, — while a model stands behind, Waiting, young and fair as ever, till some singer turn and trace Something of the deathless wonder of life lived in any place. Hey, my masters, turn from piddling to the turmoil and the strife! Cease from sonneting, my brothers; let us fashion songs from life.

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About James Branch Cabell

James Branch Cabell (14 April 1879 – 5 May 1958) was an American author of satirical fantasy works, most notably The Cream of the Jest, Jurgen, A Comedy of Justice, Figures of Earth, and other works in the series known as Biography of the Life of Manuel.

Biography information from Wikiquote

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Additional quotes by James Branch Cabell

He had a quiet way with the girls, and with the men a way of solemn, blinking simplicity which caused the more hasty in judgment to consider him a fool. Then, too, young Manuel was very often detected smiling sleepily over nothing, and his gravest care in life appeared to be that figure which Manuel had made out of marsh clay from the pool of Haranton. This figure he was continually reshaping and realtering. The figure stood upon the margin of the pool; and near by were two stones overgrown with moss, and supporting a cross of old worm-eaten wood, which commemorated what had been done there.

"Listen," Francois said. "Yonder is Paris — laughing, tragic Paris, who once had need of a singer to proclaim her splendor and all her misery. Fate made the man; in necessity's mortar she pounded his soul into the shape Fate needed. To king's courts she lifted him; to thieves' hovels she thrust him down; and past Lutetia's palaces and abbeys and taverns and lupanars and gutters and prisons and its very gallows — past each in turn the man was dragged, that he might make the Song of Paris. He could not have made it here in the smug Rue Saint Jacques. Well! the song is made, Catherine. So long as Paris endures, Francois Villon will be remembered. Villon the singer Fate fashioned as was needful: and, in this fashioning, Villon the man was damned in body and soul. And by God! the song was worth it!"

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