The window opened gently and a still Autumn night entered cat-like. Edwin smelt freedom and London autumn – decay, smoke, cold, motor oil. - Anthony Burgess

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The window opened gently and a still Autumn night entered cat-like. Edwin smelt freedom and London autumn – decay, smoke, cold, motor oil.

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About Anthony Burgess

Anthony Burgess (25 February 1917 – 22 November 1993) was an English writer and composer whose novels include the Malayan trilogy, A Clockwork Orange, the Enderby cycle, Nothing Like The Sun, Earthly Powers and The Kingdom Of The Wicked. He also produced critical works on Joyce, Lawrence, Hemingway and Shakespeare, and studies of language and of pornography.

Biography information from Wikiquote

Also Known As

Pen Names: Джозеф Келл Энтони Пауэл Энтони Джилверн
Birth Name: John Anthony Burgess Wilson
Alternative Names: John Burgess Wilson Joseph Kell

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Additional quotes by Anthony Burgess

It is as inhuman to be totally good as it is to be totally evil. The important thing is moral choice. Evil has to exist along with good, in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities.

What we used to think of as exotic can now only be found in countries that cannot afford Americanization. Meaning no home comforts, peppers, unleavened bread. It is a kind thing to take one’s bit of tourist money there, to the deserving, and not put it in the hands of the disdainful Nicois or Cannois. If you can get into a country which is politically oppressed, that too is a good thing for the natives, for you are bringing a breath of freedom. Increasingly, perhaps, one ought to be travelling for the benefit of those who cannot afford or are not permitted to travel. We all belong to one another now, and no foreign country ought to be merely a sideshow....

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There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of field of the novel and into that of the fable or the allegory.

- from the introduction of the 1986 Norton edition

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