It wasn't easy, but it was the lot of so many of us, and even in the house where I was growing up, my aunt and uncle were looking after my cousins wh… - Edwidge Danticat

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It wasn't easy, but it was the lot of so many of us, and even in the house where I was growing up, my aunt and uncle were looking after my cousins whose mother was in Canada, and another cousin whose father was in the Dominican Republic. And our parents had made this choice so that we could have a better life. You know, they could have either stayed with us and struggled and tried to make a living, or they thought that they could carve out a future for us by going abroad and leaving us behind, and then later sending for us…

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About Edwidge Danticat

Edwidge Danticat (born January 19, 1969) is a Haitian-American novelist and short story writer.

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Additional quotes by Edwidge Danticat

people had been planning for years to go and celebrate that anniversary [the 200th anniversary of Haiti's independence in 2004]. And then we had this happen again, where we had these so-called rebels who — and then the coup and this replay of tragedies, you know? But it seemed so ironic at that time, but I think when — you know, as President Aristide — and one of the first statements that he made outside of Haiti was an echo to Toussaint L’Ouverture, where he said, you know, the tree of Negro liberty has been — the branches have been cut down, paraphrasing Toussaint L’Ouverture, but the roots are strong, and there are many. And this is this part of Haiti’s history, this revolution, I think, that continues to inspire, even — because it’s one of those things that people in difficult moments will quote, because on some level, with all the tragedies that followed, it was the last time that we were great, that we taught the world a lesson, and that we created something in a way that I think Haiti has been punished over and over for, for this revolution, this spirit of — you know, of these roots that won’t die.

That’s what writing can do in whatever form it comes to us. It allows us to see these larger events in a personal way. It goes back even to the slave narratives, where it’s stressed on the cover of these books, “Written by Herself” or “by Himself,” where people need to testify to their own experience. What’s happened has brought new eyes to Haitian literature, to Haitian art, to Haitian music. Hopefully that’ll be something that will continue even when we’re not in the news.

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Create Dangerously was about giving myself permission. There are people who come into writing emboldened and formed. I wasn't like that. I had to give myself permission. People asked me, "Well, what do you know of Haiti? What do you know of America?" I learned to give myself permission, that this is a worthwhile endeavor, that I would fail sometimes, it would work sometimes, but like Maya Angelou says, that place had been earned for me. All I had to do was claim it.

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