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" "Without real opposition you get dictators down the line. Idi, Amin, Mugabe. No democracy without opposition.
Nadine Gordimer (20 November 1923 – 13 July 2014) was a South African Jewish novelist and writer, winner of the 1991 Nobel Prize in literature and 1974 Booker Prize.*, recognized as a writer "who through her magnificent epic writing has ... been of very great benefit to humanity".[1]
Biography information from Wikiquote
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There were other gadgets, noticed about the settlement, she privately recognized as belonging to her: a small garden knife-grinder that had been in the mine house kitchen before her own, a pair of scissors in the form of a stork with blades for beak that she actually saw in July's hand when he reproached the old woman for trimming his baby's toenails with a razor blade. These things were once hers, back there; he must have filched them long ago. What else, over the years? Yet he was perfectly honest. When he was cleaning the floor, and found a cent rolled there, he would put it on Bam's bedside table. They had never locked anything, not even their liquor cupboard. If she had not happened - by what chance in a million, by what slow certain grind between the past and its retribution - to be here now, she would never have missed these things:so honesty is how much you know about anybody, that's all.
The desert. No seasons of bloom and decay. Just the endless turn of night and day. Out of time: and she is gazing- not over it, taken into it, for it has no measure of space, features that mark distance from here to there. In a film of haze there is no horizon, the pallor of sand, pink-traced, lilac-luminous with its own colour of faint light, has no demarcation from land to air. Sky-haze is indistinguishable from sand-haze. All drifts together, and there is no onlooker; the desert is eternity.
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It was Sinclair's The Jungle that really started me thinking about politics: I thought, good God, these people who are exploited in a meat-packing factory-they're just like blacks here. And the whole idea that people came to America, not knowing the language, having to struggle in sweat shops. . . I didn't relate this to my own father, because my father was bourgeois by then... but I related it to the blacks. Again, what a paradox that South Africa was the blacks' own country, but they were recruited just as if they had been migrant workers for the mines. So I saw the analogy. And that was the beginning of my thinking about my position vis-à-vis blacks. But though I didn't know anything-I was twelve or thirteen, and leading the odd kind of life I did, living in books-I began to think about these things before, perhaps, I was ready for them. When I got to university, it was through mixing with other people who were writing or painting that I got to know black people as equals. In a general and inclusive, non-racial way, I met people who lived in the world of ideas, in the world that interested me passionately. In the town where I lived, there was no mental food of this kind at all. I’m often amazed to think how they live, those people, and what an oppressed life it must be, because human beings must live in the world of ideas. This dimension in the human psyche is very important. It was there, but they didn’t know how to express it.