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"Conversation between a princess and an outlaw:
"If I stand for fairy-tale balls and dragon bait — dragon bait — what do you stand for?"
"Me? I stand for uncertainty, insecurity, bad taste, fun, and things that go boom in the night."
"Franky, it seems to me that you've turned yourself into a stereotype."
"You may be right. I don't care. As any car freak will tell you, the old models are the most beautiful, even if they aren't the most efficient. People who sacrifice beauty for efficiency get what they deserve."
"Well, you may get off on being a beautiful stereotype, regardless of the social consequences, but my conscience won't allow it."
"And I goddamn refuse to be dragon bait. I'm as capable of rescuing you as you are of rescuing me."
"I'm an outlaw, not a hero. I never intended to rescue you. We're our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.
Thomas Eugene Robbins (July 22, 1932 – February 9, 2025) was an American novelist. His novels are complex, often wild stories with strong social undercurrents and obscure but well-researched details.
Biography information from Wikiquote
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I’m acquainted with a, uh, gentleman who claims that the extent to which a society focuses on the needs of its lowest common denominator is the extent to which that society’ll be mired in mediocrity. Whereas, if we would aim the bulk of our support at the brightest, most talented, most virtuous instead, then they would have the wherewithal to solve a lot of our problems, to uplift the whole culture, enlighten it or something, so that eventually there wouldn’t be so many losers and weaklings impeding evolution and dragging the whole species down. He claims that martyrs like you just perpetuate human misery by catering to it. He believes individuals have to take responsibility for their own lives and accept the consequences of their choices.
When the mystery of the connection goes, love goes. It's that simple. This suggests that it isn't love that is so important to us but the mystery itself. The love connection may be merely a device to put us in contact with the mystery, and we long for love to last so that the ecstacy of being near the mystery will last. It is contrary to the nature of mystery to stand still. Yet it's always there, somewhere, a world on the other side of the mirror (or the Camel pack), a promise in the next pair of eyes that smile at us. We glimpse it when we stand still.
The romance of new love, the romance of solitude, the romance of objecthood, the romance of ancient pyramids and distant stars are means of making contact with the mystery. When it comes to perpetuating it, however, I got no advice. But I can and will remind you of two of the most important facts I know:
1. Everything is part of it.
2. It's never too late to have a happy childhood.