Mordeen said: "I used to wonder why this love seemed sweeter than I had ever known, better than many people ever know. And then one day the reason ca… - John Steinbeck
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Mordeen said: "I used to wonder why this love seemed sweeter than I had ever known, better than many people ever know. And then one day the reason came to me. There are very few great Anythings in the world. In work and art and emotion—the great is very rare. And I have one of the great and beautiful. Now say your yah, yah, Victor, like a child unanswerably answering Wisdom. You will have to do that, I think."
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About
John Steinbeck
John Ernst Steinbeck Jr. (27 February 1902 – 20 December 1968) was an American writer. A recipient of the Nobel Prize for Literature in 1962, his works include the novella Of Mice and Men (1937) and the novel The Grapes of Wrath (1939, Pulitzer Prize for Fiction, 1940), both of which examine the lives of the working class and migrant workers during the Great Depression.
Biography information from
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Portrait adapted from
Wikimedia Commons, McFadden Publications, Inc.; no photographer credited; photo likely the work of Sonya Noskowiak, as Steinbeck is wearing the same clothes from her 1935 studio session that produced the work shown here: https://www.si.edu/object/npg_NPG.2006.74 (Public domain / CC0)
Also Known As
Birth Name:
Jeffery Ernest Steinbeck
Alternative Names:
John Ernst Steinbeck, Jr.
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John Ernst Steinbeck
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John Ernest Steinbeck
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John Ernst Steinbeck Jr
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Steinbeck
Portrait from Wikimedia Commons. Credit: McFadden Publications, Inc.; no photographer credited; photo likely the work of Sonya Noskowiak, as Steinbeck is wearing the same clothes from her 1935 studio session that produced the work shown here: https://www.si.edu/object/npg_NPG.2006.74. Used under Public domain / CC0. Processed and styled by Quotewise.
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There's more beauty in truth, even if it is dreadful beauty.
I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught — in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too — in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we may impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well — or ill?
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In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world.
We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.
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He’s a nice fella,” said Slim. “Guy don’t need no sense to be a nice fella. Seems to me sometimes it jus’ works the other way around. Take a real smart guy and he ain’t hardly ever a nice fella.
