Time, as succession of past, present and future, really has its being totum simul for the thought of a spectator, and this justifies its ‘spatialized… - R. G. Collingwood

It (the dream) is essentially a structure which is, in the terminology of the psycho-analyst, unconscious. The dreamer himself is unaware of it until, in collaboration with his psycho-analyst, he brings it to light. The mythological way of stating this fact is to say that the structure was "in the unconscious." This is frankly non-sense . . . because the structure is not in the unconscious but precisely in the dream, for it is the structure of the dream; and the dream is con? scious enough . . . the revelation made by psycho-analysis is not the bringing into consciousness of what was unconscious, but the bring? ing into explicitness of what was implicit, the noticing of something already actually experienced in a light in which it had not been noticed before . . . the new light in question is nothing but the hitherto overlooked structure of the experience in question ....

Thus natural science is not a way of knowing the real world; its value lies not in its truth but in its utility; by scientific thought we do not know nature, we dismember it in order to master it.

The critic must therefore work from within. His negative position is based on his positive: his primary work is to supplement his author's partial account of some matter by adding certain aspects which the author has overlooked ; but, since the parts of a philosophical theory never stand to one another in a relation of mere juxtaposition, the omission of one part will upset the balance of the whole and distort the remaining parts; so his additions will entail some correction even of those elements which he accepts as substantially true.
20. Criticism, when these two aspects of it are considered together, may be regarded as a single operation: the bringing to completeness of a theory
which its author has left incomplete. So understood, the function of the critic is to develop and continue the thought of the writer criticized. Theoretically, the relation between the philosophy criticized and the philosophy that criticizes it is the relation between two adjacent terms in a scale of forms, the forms of a single philosophy in its historical development; and in practice, it is well known that a man's best critics are his pupils, and his best pupils the most critical.