As the circulation of translated literature increases, we can observe the growth of interest in language study among the Komsomol masses, among the w… - Osip Mandelstam

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As the circulation of translated literature increases, we can observe the growth of interest in language study among the Komsomol masses, among the working youth, and in the colleges. Just how young people undertake the study of foreign languages is of interest: they approach language learning with the triumphant spirit of a conqueror invading previously forbidden territory. Knowledge of languages is a mighty weapon in the hands of the ruling class. With the aid of this weapon the composition of the entire cultural present is counterfeited and world literature is falsified until it reaches the condition demanded by people of position.

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About Osip Mandelstam

Osip Emilyevich Mandelstam (also spelled Mandelshtam; Russian: О́сип Эми́льевич Мандельшта́м; January 15, 1891 – December 27, 1938) was a Russian poet and essayist, one of the foremost members of the Acmeist school of poets.

Also Known As

Alternative Names: Osip Emilyevich Mandelstam Osip Emilyevich Mandelshtam Osip Mandelshtam Osip E. Mandelstam

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The eighteenth century was an age of secularization, that is, it recognized human thought and activity as worldly ventures. Hatred for the priesthood, the hieratic cult, and the liturgy was deep in its blood. Although not an age devoted predominantly to social struggle, it was a period when society was painfully aware of caste. The determinism inherited from the Middle Ages hung menacingly over philosophy and enlightenment, and over its political experiments right down to the tiers état. The caste of priests, the caste of warriors, the caste of landowners-those were the concepts through which "enlightened minds" operated. These castes should not be confused with classes: the above-mentioned elements were all considered necessary to the sacred architectonics of any society. The immense, accumulated energy of social conflict sought an outlet. All the aggressive demands of the age, all the strength of its principled indignation, fell upon the caste of priests.

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Poetry is the plough that turns up time in such a way that the abyssal strata of time, its black earth, appear on the surface. There are epochs, however, when mankind, not satisfied with the present, yearning like the ploughman for the abyssal strata of time, thirsts for the virgin soil of time. Revolution in art inevitably leads to Classicism, not because David reaped the harvest of Robespierre, but because that is what the earth desires.

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