Sunday “Well then, as I have just told you, they devoted each day of the week to productions in one or another special branch of knowledge — either w… - George Gurdjieff

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Sunday “Well then, as I have just told you, they devoted each day of the week to productions in one or another special branch of knowledge — either works of their hands, or some other form of consciously designed being-manifestation “Thus, Monday was devoted to the first group, and this day was called the ‘day of religious and civil ceremonies’, “Tuesday was allotted to the second group, and was called the ‘day of architecture’, “Wednesday was called the ‘day of painting’, “Thursday, the ‘day of religious and popular dances’, “Friday, the ‘day of sculpture’, “Saturday, the ‘day of the mysteries’ or, as it was also called, the ‘day of the theater’, “Sunday, the ‘day of music and song

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About George Gurdjieff

George Ivanovich Gurdjieff (Russian: Георгий Иванович Гюрджиев, Georgij Ivanovich Gjurdzhiev; 13 January c. 1867 – 29 October 1949) was a Greco-Armenian mystic and spiritual teacher of what came to be called "the Work" or "The Fourth Way", in which he taught people how to increase and focus their attention and energy through various awareness exercises. According to his teachings, such inner development is the beginning of a possible further process of change, and spiritual evolution.

Biography information from Wikiquote

Also Known As

Native Name: Γεώργιος Γεωργιάδης Գեորգի Իվանովիչ Գյուրջիև
Alternative Names: Georges Gurdjieff Ivanovitch Georges Ivanovitch Gurdjieff

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Additional quotes by George Gurdjieff

Every one of those unfortunates during the process of existence should constantly sense and be cognizant of the inevitability of his own death as well as of the death of everyone upon whom his eyes or attention rests. Only such a sensation and such a cognizance can now destroy the egoism completely crystallized in them that has swallowed up the whole of their Essence, and also that tendency to hate others which flows from it.

Before going further, I consider it necessary to explain exactly the expression ‘a remarkable man’, since like all expressions for definite notions it is always understood among contemporary people in a relative, that is a purely subjective, sense. For example, a man who does tricks is for many people a remarkable man, but even for them he ceases to be remarkable as soon as they learn the secret of his tricks. As a definition of who may be considered and called remarkable, I will simply say, for the present, to cut a long story short, to what men I personally apply this expression. From my point of view, he can be called a remarkable man who stands out from those around him by the resourcefulness of his mind, and who knows how to be restrained in the manifestations which proceed from his nature, at the same time conducting himself justly and tolerantly towards the weaknesses of others.

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During the latter three centuries the process itself of their existence has become such that in the presences of most of them during their daily existence those 'being-confrontative-associations' almost no longer arise, which usually proceed in three-brained beings thanks to every kind of new perception, and from which alone can data be crystallized in the common presences of three-brained beings for their own individuality.

Well then, when your favorites, existing in such a manner in their 'daily life,' go to these contemporary theaters and follow the senseless manipulations of these contemporary actors, and receive 'shocks' one after the other from every kind of reminiscence, already previously perceived, of not less senseless and absurd notions, then during this waking state of theirs, they willy-nilly obtain more or less tolerable being-associations, so that when they go home and go to bed they sleep much better than usual.

Although indeed these contemporary theaters with all that proceeds in them happen to be in this way — but of course only 'for today' — an excellent means for better sleep, nevertheless the objectively evil consequences of these theaters for beings, and particularly for the rising generation, are incalculable.

The chief harm for them from these theaters is that they are an additional factor for the complete destruction in them of all possibilities of ever possessing the need, proper to three-brained beings, called the 'need-for-real-perceptions.

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