I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain ploughland in t… - Ursula K. Le Guin

What is love of one's country; is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one musn't make a virtue of it, or a profession...Insofar as I love life, I love [my country], but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.

What is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry?

He knew now, and the knowledge was hard, that his task had never been to undo what he had done, but to finish what he had begun.

I don’t have a gun and I don’t have even one wife and my sentences tend to go on and on and on, with all this syntax in them. Ernest Hemingway would have died rather than have syntax. Or semicolons. I use a whole lot of half-assed semicolons; there was one of them just now; that was a semicolon after “semicolons,” and another one after “now.”

And another thing. Ernest Hemingway would have died rather than get old. And he did. He shot himself. A short sentence. Anything rather than a long sentence, a life sentence. Death sentences are short and very, very manly. Life sentences aren’t. They go on and on, all full of syntax and qualifying clauses and confusing references and getting old. And that brings up the real proof of what a mess I have made of being a man: I am not even young. Just about the time they finally started inventing women, I started getting old. And I went right on doing it. Shamelessly. I have allowed myself to get old and haven’t done one single thing about it, with a gun or anything.

The power of the harasser, the abuser, the rapist depends above all on the silence of women.