How does one hate a country, or love one? Tibe talks about it; I lack the trick of it. I know people, I know towns, farms, hills and rivers and rocks… - Ursula K. Le Guin

How does one hate a country, or love one?... I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving a name and ceasing to love where the name ceases to apply? What is the love of one's country; is it hate of one's uncountry? Then it's not a good thing.

What is love of one's country; is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one musn't make a virtue of it, or a profession...Insofar as I love life, I love [my country], but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.

What is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry?

I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain ploughland in the hills; but what is the sense of giving a boundary to all that, of giving it a name
and ceasing to love where the name ceases to apply? What is love of one's country, is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one mustn't make a virtue of it, or a profession...

How does one hate a country, or love one? [...] I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry?

As she stumbled forward she cried out in her mind, which was as dark, as shaken as the subterranean vault, “Forgive me. O my Masters, O unnamed ones, most ancient ones, forgive me, forgive me!”
There was no answer. There had never been an answer.

We broke the world to make it whole...

The old knowledge had been difficult but not distressing. It had been all paradox and myth, and it had made sense. The new knowledge was all fact and reason, and it made no sense.