It's not enough that you believe what you see. You must also understand what you see.

What we see changes what we know. What we know changes what we see.

I wish to guard the Principle of Vision from certain misconceptions which might arise on a simple statement of it. The principle insists on the artist assuring himself that he distinctly sees what he attempts to represent. What he sees, and how he represents it, depend on other principles. To make even this principle of Vision thoroughly intelligible in its application to all forms of Literature and Art, it must be considered in connection with the two other principles — Sincerity and Beauty, which are involved in all successful works.

Are you willing to see what you are seeing, and to know what you know?

Learn to trust what you cannot see far more than what you can see.

To see is to think, and to think is to see.

What I want to do is see things for what they are, not how other people see them.

Why do we know what we know and why don't we know what we don't know? What should we know and what shouldn't we know? How might we know differently?

Not assuming you already know is a powerful principle of focus.

It’s not what you look at that matters, it’s what you see.

You must understand that seeing is believing, but also know that believing is seeing.

"For most of us, knowledge of our world comes largely through sight, yet we look about with such unseeing eyes that we are partially blind. One way to open your eyes to unnoticed beauty is to ask yourself, "What if I had never seen this before? What if I knew I would never see it again?

You must learn to see, what you are looking at

We do not see rightly until we learn to eliminate what we expect or wish to see from what we really see.