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" "In Kyoto I never experienced an air raid, but once when I was sent to the main factory in Osaka with some orders for spare parts for aircraft, there happened to be an attack and I saw one of the factory workers being carried out on a stretcher with his intestines exposed.
What is so ghastly about exposed intestines? Why, when we see the insides of a human being do we have to cover our eyes in terror? Why are people so shocked by the sight of blood pouring out? Why are a man's intestines ugly? Is it not exactly the same in quality as the beauty of youthful, glossy skin? What sort of face would Tsurukawa make if I were to say that it was from him I had learned this manner of speaking - a manner of thinking that transformed my own ugliness into nothingness? Why does there seem to be something inhuman about regarding human beings like roses and refusing to make any distinction between the inside of their bodies and the outside? If only human beings could reverse their spirits and their bodies, could gracefully turn them inside out like rose petals and expose them to the spring breeze and the sun . . .
Yukio Mishima (January 14, 1925 – November 25, 1970) was the pen name of Kimitake Hiraoka, a Japanese author, poet, playwright, actor, model, film director, nationalist, and founder of the Tatenokai.
Biography information from Wikiquote
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‘The human body is the work of art. It doesn’t need artists.’ But the artist replies: ‘Okay, let’s say you’re right. What good does your sweating and grunting do. Even the most beautiful body is destroyed by age. Where is beauty then? Only art makes human beauty endure. You must devise an artist’s scheme to preserve it. You must commit suicide at the height of your beauty.’~ w:Kyoko no Ie
كل ما لديه حقاً كان شعوراً جارفاً بالحماقة وبالابتذال, وقد ذاب متحولاً إلى رتابة. كم هي هائلة تجليات العادي والمبتذل! ابتذال التأنق, ابتذال العاج, ابتذال القداسة, ابتذال الجنون, ابتذال ذوي المعرفة الواسعة, ابتذال الأكاديمي المدعي, الابتذال المغناج, ابتذال القطة الفارسية, ابتذال الملوك والشحاذين والمعتوهين والفراشات.