How all becomes clear and simple when one opens an eye on the within, having of course previously exposed it to the without, in order to benefit by t… - Samuel Beckett
" "How all becomes clear and simple when one opens an eye on the within, having of course previously exposed it to the without, in order to benefit by the contrast.
About Samuel Beckett
Samuel Beckett (13 April 1906 – 22 December 1989) was an Irish playwright, novelist, poet and winner of the 1969 Nobel Prize in Literature. He wrote mainly in English and French.
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Additional quotes by Samuel Beckett
On turning to the Work in Progress we find that the mirror is not so convex. Here is direct expression — pages and pages of it. And if you don’t understand it, Ladies and Gentlemen, it is because you are too decadent to receive it. You are not satisfied unless form is so strictly divorced from content that you can comprehend the one almost without bothering to read the other. This rapid skimming and absorption of the scant cream of sense is made possible by what I may call a continuous process of copious intellectual salivation. The form that is an arbitrary and independent phenomenon can fulfil no higher function than that of stimulus for a tertiary or quartary conditioned reflex of dribbling comprehension. . . Mr. Joyce has a word to say to you on the subject: “Yet to concentrate solely on the literal sense or even the psychological content of any document to the sore neglect of the enveloping facts themselves circumstantiating it is just as harmful; etc.” And another: “Who in his hearts doubts either that the facts of feminine clothiering are there all the time or that the feminine fiction, stranger than facts, is there also at the same time, only a little to the rere? Or that one may be separated from the orther? Or that both may be contemplated simultaneously? Or that each may be taken up in turn and considered apart from the other?”
Here form is content, content is form. You complain that this stuff is not written in English. It is not written at all. It is not to be read — or rather it is not only to be read. It is to be looked at and listened to. His writing is not about something; it is that something itself.
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But I pushed and pulled in vain, the wheels would not turn. It was as though the brakes were jammed, and heaven knows they were not, for my bicycle had no brakes. And suddenly overcome by a great weariness, in spite of the dying day when I always felt most alive, I threw the bicycle back in the bush and lay down on the ground, on the grass, careless of the dew, I never feared the dew.