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" "It is dreadful to think of Paris in German hands but what preoccupies me still more is what is going to happen to modern French art and the younger artists.
Amrita Sher-Gil (January 30, 1913 – December 5, 1941), an eminent Indian painter, was the daughter of Sardar Umrao Singh Shergil and Antoinette, a Hungarian lady. Her first notable work was "Young Girls", which made her an Associate of the Grand Salon in Paris in 1933; she was the youngest ever Asian to receive this recognition. Her quest for the rediscovery of the traditions of Indian art began at an young age but was cut short by her death at a prime age of 28. Mughal school of painting and Pahari schools of painting and the cave paintings at Ajanta greatly influenced her paintings. She was considered a prominent woman painter of 20th century India. Her legacy is comparable to that of the Masters of Bengal Renaissance. The Government of India has declared her works as National Art Treasures. She was sometimes called as India's Frida Kahlo.
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I shall in future be obliged to resign myself to exhibiting them (her paintings) merely at the Grand Salon, Paris, of which I happen to be an Associate and the Salon de Tuileries known all over the world as the representative exhibition of Modern Art, and to which I have been invited to participate in the past, a distinction I may add that few can boast of.
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She was very fair and there was an expression of weariness in the lovely liquid dark eyes. Her little finely curved and red hued lips seemed like drooping rosebuds and were sealed as if it were in silence eternal....she seemed as if she guessed the cruel fate which had been meted out for her by the Rani and Rajah and her other rich but distant relations in whose hands she seemed a helpless toy.