Since one cannot create 'depth' by carving a hole in the picture, and since one should not attempt to create the illusion of depth by tonal gradation… - Hans Hofmann

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Since one cannot create 'depth' by carving a hole in the picture, and since one should not attempt to create the illusion of depth by tonal gradation, depth as a plastic reality must be two dimensions in a formal sense as well in the sense of color. 'Depth' is not created on a flat surface as an illusion, but as a plastic reality. The nature of the picture plane makes it possible to achieve depth without destroying the two-dimensional essence of the picture plane. .A plane is a fragment in the architecture of space. When a number of planes are opposed one to another, a spatial effect results. A plane functions in the same manner as the walls of a building.. .Planes organized within a picture create the pictorial space of its composition.. .The old masters were plane-consciousness. This makes their pictures restful as well as vital...

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About Hans Hofmann

Hans Hofmann (21 March 1880 – 17 February 1966) was one of the older abstract expressionist painters working in New York. Hofmann originally came from Germany where he experienced the new art and so he connected European with modern American abstract art. He had strong influence as an art-teacher and writer on the younger American abstract artists after 1940.

Biography information from Wikiquote

Also Known As

Alternative Names: Hans Georg Albert Hofmann Johann Georg Albert Hofmann Johann Hofmann Hans Hoffman Hofmann
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Additional quotes by Hans Hofmann

The physical carrier is overshadowed by a relation. The relation creates an overtone. The physical carrier is absorbed by this overtone. The overtone spontaneously transforms the means of creation into a spiritual reality. The mystery of creation is then revealed.

It is the greatest injustice done to Mondrian that people who are plastically blind see only decorative design instead of the plastic perfection which characterizes his work. The whole De Stijl group from which Mondrian's art was derived must be considered a protest against such blindness.

Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world. Of those three components only one, the medium, is material.

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