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" "The physical and cultural genocide of American Indian tribes is and was mostly about patriarchal fear of gynocracy. The particularly, but also the Catholic, Quaker, and other , like their secular counterparts, could not tolerate peoples who allowed women to occupy prominent positions and decision-making capacity at every level of society. Wives telling husbands and brothers whether to buy or sell an item, daughters telling fathers whom they could and could not murder, empresses attending parleys with colonizers and being treated with deference by male leaders did not sit well with the invaders. The colonizers saw (and rightly) that as long as women held unquestioned power of such magnitude, attempts at total conquest of the continents were bound to fail. In the centuries since the first attempts at colonization in the early 1500s, the invaders have exerted every effort to remove Indian women from every position of authority, to obliterate all records pertaining to gynocratic social systems, and to ensure that no American and few American Indians would remember that gynocracy was the primary social order of Indian America prior to 1800.
Paula Gunn Allen (October 24, 1939 – May 29, 2008) was an American poet, literary critic, activist, professor, and novelist. Of mixed-race European-American, Native American, and Arab-American descent, she identified with her mother's people, the Laguna Pueblo and childhood years. She drew from its oral traditions for her fiction poetry and also wrote numerous essays on its themes. She edited four collections of Native American traditional stories and contemporary works and wrote two biographies of Native American women. In addition to her literary work, in 1986 she published a major study on the role of women in American Indian traditions, arguing that Europeans had de-emphasized the role of women in their accounts of native life because of their own patriarchal societies. It stimulated other scholarly work by feminist and Native American writers.
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Modern American Indian women, like their non-Indian sisters, are deeply engaged in the struggle to redefine themselves. In their struggle they must reconcile traditional tribal definitions of women with industrial and postindustrial non-Indian definitions. Yet while these definitions seem to be more or less mutually exclusive, Indian women must somehow harmonize and integrate both in their own lives. An American Indian woman is primarily defined by her tribal identity. In her eyes, her destiny is necessarily that of her people, and her sense of herself as a woman is first and foremost prescribed by her tribe. The definitions of woman’s roles are as diverse as tribal cultures in the Americas. In some she is devalued, in others she wields considerable power. In some she is a familial/clan adjunct, in some she is as close to autonomous as her economic circumstances and psychological traits permit. But in no tribal definitions is she perceived in the same way as are women in western industrial and postindustrial cultures.
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The tribes seek—through song, ceremony, legend, sacred stories (myths), and tales—to embody, articulate, and share reality, to bring the isolated, private self into harmony and balance with this reality, to verbalize the sense of the majesty and reverent mystery of all things, and to actualize, in language, those truths that give to humanity its greatest significance and dignity. To a large extent, ceremonial literature serves to redirect private emotion and integrate the energy generated by emotion within a cosmic framework. The artistry of the tribes is married to the essence of language itself, for through language one can share one’s singular being with that of the community and know within oneself the communal knowledge of the tribe. In this art, the greater self and all-that-is are blended into a balanced whole, and in this way the concept of being that is the fundamental and sacred spring of life is given voice and being for all.