...the best conclusion I was able to reach was that what we instinctively call imagination is in reality nothing less than the symbolic knowledge of … - E. T. A. Hoffmann

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...the best conclusion I was able to reach was that what we instinctively call imagination is in reality nothing less than the symbolic knowledge of that secret thread which weaves itself through our life knotted fast in all its windings, and without which we would surely be lost. But with this knowledge I realised too that this secret power also rules over us, for these same threads can be forcibly torn apart and leave us at the mercy of the dark fiend who is always ready to claim us as his own.

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About E. T. A. Hoffmann

Ernst Theodor Wilhelm Hoffmann (24 January 1776 – 25 June 1822), better known by his pen name E. T. A. Hoffmann, was a German Romantic author of fantasy and horror, a jurist, composer, music critic, draftsman and caricaturist. He is the subject and hero of Jacques Offenbach's opera The Tales of Hoffmann, a fictionalized account.

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Also Known As

Native Name: Ernst Theodor Amadeus Hoffmann
Alternative Names: Ernst Theodor Wilhelm. Hoffman Ernst Theodor Amedeus Hoffmann Ernst Theodor Wilhelm Hoffman E.T.A. Hoffmann Ernst Theodor Hoffmann Amadeus Hoffman Amadeus Hoffmann E. T. Hoffmann ernst theodor amadeus hoffmann e. th. a. hoffmann Ernst Theodore Wilhelm Hoffmann Ernst T. A. Hoffmann Ernst Theodor Wilhelm Hoffmann
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Additional quotes by E. T. A. Hoffmann

Yet although I could not resist doing so, my sleep was not interrupted. The door opened and a dark figure entered whom I recognized to my horror as my own self in Capuchin robes, with beard and tonsure. The figure came nearer and nearer my bed: I lay motionless, and every sound I tried to utter was stifled in the trance that gripped me. The figure sat down on my bed and leered mockingly at me.

“You must come with me,” it said. “Let us climb on to the roof beneath the weathercock, which is playing a merry tune for the owl's wedding. Up there we will fight with each other, and the one who pushes the other over will become king and be able to drink blood.”

I felt the figure take hold of me and lift me up. With a strength born of desperation I screamed:
“You are not me, you are the Devil!” - and clawed at the face of the menacing spectre. But my fingers went through his eyes as if they were empty cavities, and the figure burst into strident laughter.

None but a poet can understand a poet; none but a romantic spirit transported with poetry and consecrated in the Holy of Holies an comprehend what the ordained utters out of his inspiration.

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...Music turns the handle of terror, tremulousness, dread, and pain and awakens that infinite yearning that is the very essence of romanticism.

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