Little sister, do you know why humanity passes down ancient tales, from hand to hand, from generation to generation? It is so that each generation ca… - Che Lan Vien

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Little sister, do you know why humanity passes down
ancient tales, from hand to hand, from generation to generation?
It is so that each generation can add something that was not there yesterday.
...The miracle of today is in the hands of those who go unshod, their hearts bare.

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About Che Lan Vien

Chế Lan Viên (January 14, 1920 – June 24, 1989) was a Vietnamese poet.

Also Known As

Alternative Names: Phan Ngọc Hoan

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Additional quotes by Che Lan Vien

Men, be vigilant!
Those are killers.
They don't care about introspection, still-lifes, structuralism, colours and sounds:
They kill.
They don't care about Chuang-tzu, Kafka, the unconscious and the subconscious, Breton and surrealism, Hamlet and "to be or not to be," they just don't care;
They kill.
They sweep on us as the twitter of birds greets the coming of dawn
Or during starlit and love-laden nights
Or when the sky is at its bluest
When gardens are fragrant with the scent of flowers
And the fruit sweet like human lips.

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One translucent day I leave the city
to visit my home, the land of Champa. Here are stupas gaunt with yearning,
ancient temples ruined by time,
streams that creep alone through the dark
past peeling statues that moan of Champa. Here are dense and drooping forests
where long processions, lost souls of Champa,
march; and evening spills through thick,
fragrant leaves, mingling with the cries of moorhens. Here is the field where two great armies
were reduced to a horde of clamoring souls.
Champa blood still cascades in streams of hatred
to grinding oceans filled with Champa bones. Here too are placid images: hamlets at rest
in evening sun, Champa girls gliding homeward,
their light chatter floating
with the pink and saffron of their dresses. Here are magnificent sunbaked palaces,
temples that blaze in cerulean skies.
Here battleships dream on the glossy river, while the thunder
of sacred elephants shakes the walls. Here, in opaque light sinking through lapis lazuli,
the Champa king and his men are lost in a maze of flesh
as dancers weave, wreathe, entranced,
their bodies harmonizing with the flutes. <p>All this I saw on my way home years ago
and still I am obsessed,
my mind stunned, sagged with sorrow
for the race of Champa.

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