Yes. I battle with that all the time. "Let Me Drown" is probably one of the most disturbing songs I've ever written. Usually, if I write lyrics that … - Chris Cornell

With all that’s been written about Temple of the Dog recently, it’s reminded me of the original meanings of those songs. Say Hello 2 Heaven, for example, was one of the songs I wrote directly for Andy Wood and the amount of times someone has requested I play that song for someone else who’s died have been numerous. That’s great that it’s become this anthem that makes somebody feel some comfort when they’ve lost someone, but recently I’ve become a little more possessive of the idea that this song was actually written for a specific guy and I haven’t forgotten that person. So I’ve been reminding myself and those in the audience where that song came from.

Susan [Silver] gives me a huge amount of room to be that recluse, and also the incentive to not be. It’s worth a lot to see her be excited about being around someone who’s not afraid of his shadow. It’s good for her. She digs it. But we’re becoming more alike. When she comes home to me from a day at the office, where she’s talking to people from all over the world about all sorts of important things... well, I probably haven’t answered the phone in seventy-two hours. She knows that when she comes home she’s going to get privacy, because I’m not like ‘These are my South American friends and... honey, have you ever really listened to that first Van Halen album?’ She’s the best roommate I’ve ever had. People are sort of perplexed, as to how this could possibly work in this grunge-music, super-druggy era where everybody is so emotionally screwed up. Not only is Soundgarden not OD’ing on heroin, but the singer’s wife manages the band, there’s no weird Yoko Ono trip, and she’s not trying to make us dress up like lions and unicorns.

"Tighter and Tighter" was actually written around the same time as "Black Hole Sun." In fact, I did a demo with four songs on it to play for the band. "Black Hole Sun," "Sounds Like Days," "Tighter and Tighter" and a song called "Anxious." We blew off "Anxious" entirely and recorded "Tighter and Tighter" for the last record. It was the last song we did. It was number 16 and we ran out of studio time. We had the rhythm tracks done and it was just needing vocals and my guitar solos. We just ran out of time. It was falling flat anyway. I changed the arrangement a little bit.