Eddie Vedder Quotes

I am not a good enough writer to have an agenda or come up with a message and try to put it into a song, [...] It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave...

Well, maybe it was just that I wasn't going to like anybody because I had to work and I had to explain to my teachers why I wasn't keeping up. I'd fall asleep and things in class and they'd lecture me about the reality of their classroom. I said, 'You want to see my reality?' I opened up my backpack to where you usually keep your pencils. That's where I kept my bills... electric bills, rent... That was my reality.

You kill yourself and you make a big old sacrifice and try to get your revenge. That all you're gonna end up with is a paragraph in a newspaper. In the end, it does nothing. Nothing changes. The world goes on and you're gone. The best revenge is to live on and prove yourself.

A 20-page cardboard book with a line on each page and a picture to go with it. It's a fable, that's all. The music almost gives you this feeling of flight, and I really love singing the part at the end, which is about rising above anybody's comments about what you do and still giving your love away. You know -- not becoming bitter and reclusive, not condemning the whole world because of the actions of a few.

One of the first people I met outside of the group [Pearl Jam] was this next human and I had no idea how he would affect my life and my views on music and my views on friendship and what a big impact he would have. These guys [the other members of Pearl Jam] know him much longer than me and his impact is profound. I'd like to introduce with great pleasure my old neighbor, Chris Cornell.

It's about first relationships. The song is about letting go. It’s very rare for a relationship to withstand the Earth’s gravitational pull and where it’s going to take people and how they’re going to grow. I’ve heard it said that you can’t really have a true love unless it was a love unrequited. It’s a harsh one, because then your truest one is the one you can’t have forever.

Vedder has a variety of comments about God and/or belief, at one point he was saying, "When you're out in the desert, you can't believe the amount of stars. We've sent mechanisms out there, and they haven't found anything. They've found different colours of sand, and rings, and gasses, but nobody's shown me anything that makes me feel secure in what happens afterwards. All I really believe in is this moment, like right now."

Allan Jones: When Kurt went into a coma in Rome, a local Seattle magazine, a small-circulation coffee house rag, carried an article with the headline: "WHY COULDN'T IT HAVE BEEN EDDIE VEDDER?" This was exactly what Courtney Love had told Select magazine, I tell Eddie. He looks absolutely stunned. "Oh," he says, the wind gone out of him, utterly deflated. "That's nice. That's really nice. That makes me feel really good. I wonder why she didn't mention that when I phoned her last night and offered her any help or support I could give her... I really don't know any of these people. I don't know Courtney, I'd never talked to her before. But someone said I should call her and I thought maybe I should. I mean, all this shit that comes up and all this bullshit that flies back and forth in the press that gets italicized and trumped up to make it a bigger deal than it really is, when all that's said and done, there's feelings I have for those people. And the ones that are alive, I need to let them know how I feel.

You know, [his voice trembling, hoarse, no more than a whisper] I always thought I'd go first. I don't know why I thought that. It just seemed like I would. I mean, I didn't know him on a daily basis -- far from it. But, in a way, I don't even feel right being here without him. It's so difficult to really believe he's gone. I still talk about him like he's still here, you know. I can't figure it out. It doesn't make any sense. I remember when he got sick in Rome -- I didn't realize then that it was actually a suicide attempt -- I was in Seattle. I went out to grab something to eat and I saw the headlines. That he was in a coma. I just freaked out, man. I went home and made some phone calls, tried to find out what the fuck was going on. Then I started pacing the house and started to cry. I just kept saying, 'Don't go, man, just don't fuckin' go... just don't go.' I kept thinking, 'If he goes, I'm fucked.' You know, all these people man, all lining up to say that his death was so fucking inevitable... well, if it was inevitable for him, it's gonna be inevitable for me, too, if this continues. That's why this could be our last show in fuckin' forever as far as I'm concerned. Kurt's death has changed everything. I don't know if I can do it any more. See, people like him and me, we can't be real. It's a contradiction. We can't be these people who just write these real songs. We have to live up to the expectations of a million people. And we can't do that. And then there's a cynical fuckin' media on top of that. Fuck that, fuck 'em. All along the line, they question your fuckin' honesty. No matter what you say, no matter what you do, they think it's an angle. They think it's all a fuckin' game. Because that's all they're used to. That's what they think it is, a fuckin' game. They don't know what's real and what isn't. And when someone comes along who's trying to be real, they don't know the fuckin' difference. So if you say, 'No, I'm not playing your fuckin' game. I want out... I'm not doing this, I'm not doing that...,' they still think you're part of it. They just can't accept that you don't want to be part of it, that you were never part of it. They just think it's an angle. Some kind of fuckin' angle. And that makes it so hard for somebody who's just trying to be honest. So fuck it. And another thing, we never talked about this but it's like you were saying although we were very different people, there was probably a lot we had in common. We had similar backgrounds, yeah, things that happened with our families and shit... I think that's something that comes out in what we wrote in our songs, definitely. It is kinda similar sometimes. But what makes it more similar is the way people responded to what we wrote and sang about, the intense identification. And I think it was maybe a shock to both of us that so many people were going through the same things. I mean, they understood so completely what we were talking about. And this was shit we thought only he and I were ever gonna have to deal with. Because we kinda wrote these songs for ourselves really. Then all of a sudden, there's all these other people who connect with them and you're suddenly the spokesman for a fuckin' generation. Can you imagine that! A... spokesman... for a... generation.

There is a thing that happens when you are not as privileged and you start hanging out with a seedier crowd because you can afford to do the same things, [...] And all of a sudden the big night out is sitting in somebody's trailer, smoking something or getting hold of something to put up to your nose.

That song is all about someone who's drunk with technology, who thinks they're the controlling living being on this planet. It's another one I'm not singing as myself."

I really like Chris [Cornell]'s records and I think he's the best singer that we've got on the planet. I first met Chris when I moved to Seattle, and we started hanging around. I didn't know what musicians did with their life, and I quickly realized that what he did on a Friday night was to get a 12-pack of shitty beer and chase his dog around on the mud for four hours in the forest. That was about an exciting an epiphany as I had! I haven't seen him in town for a while, but I have taken over the whole dog-chasing practice – me and my Hawaiian mutt. The beer's gotten slightly better too.

JG: Can I ask what your feelings are about God?

There was a lot of stuff that got said, but none of it really matters. And I like to think he may have had second thoughts about some of the things he said, you know... I mean there's a person we both knew, who told me that Kurt asked about me a lot, like picked their brains about me, this person who knew us both. And I thought that was cool. That made me feel good, you know. Because so much bullshit was getting written about us. And we talked, we talked a couple of times. And this one time, he told me flat-out, just delivered me a whole paragraph on the respect he had for what I did, and he realized it was pure. This was at the MTV Awards. 'Tears in Heaven' was playing in the background, we were slow dancing. I remember going out surfing the next morning and remembering how good that moment felt and thinking, 'Fuck, man, if only we hadn't been so afraid of each other...' Because we were going through so much of the same shit. If only we'd talked, maybe we could have helped each other.

It was during that same week that I was up there [In Seattle rehearsing with Pearl Jam]. Day four maybe, or day five, they did a Temple [of the Dog] rehearsal after our afternoon rehearsal. I got to watch these songs, and watch how Chris [Cornell] was working, and watch Matt [Cameron] play drums. It got to "Hunger Strike" - I was sitting in the corner, putting duck tape on a little African drum. About two-thirds of the way though, he was having to cut off the one line, and start the other. I'm not now, and certainly wasn't then, self-assured or cocky, but I could hear what he was trying to do, so I walked up to the mic - which I'm really surprised I did - and sang the other part, "Going hungry, going hungry." The next time I was up, he asked if I'd record it - so it was just me and Chris in the same studio that we made [1991's] Ten record. I really like hearing that song. I feel like I could be real proud of it - because one, I didn't write it, and two, it was such a nice way to be ushered onto vinyl for the first time. I'm indebted to Chris time eternal for being invited onto that track.