The facts are that I was shooting a lot of dope, and that's nobody's business but mine. I'm not shooting dope now, and I haven't for a while.... I took a fucking long, hard walk through hell. I decided to stop because I was miserable doing it. The drug didn't work for me anymore. In the beginning I got high, and it felt great; by the end it was strictly maintenance, like food I needed to survive. Since I quit doing it, I tried it a couple of times to see if I could recapture the feeling I once got off it, but I don't. Nothing attracts me to it anymore. It was boring.

Kurt [Cobain] and I weren't the closest of friends, but we ran into each other at shows and hung out a lot. I knew him well enough to be devastated by his death. I just don't understand it at all. The last time I saw him, he gave me a ride from QFC on Broadway to a friend's house, the whole way there, which was about a fifteen minute drive, he talked about his daughter. For such a quiet person, he was so excited about having a child, he really loved that little girl. About a month later I saw on the news, that he was dead.

The whole thing with the heart... there wasn't a real intention or a reason, it's just a collection of ideas that we put together. To me, we had our hearts broken by losing Layne and losing ourselves. And also it took a lot of that to get through this process and to even take the chance, and to stand-up and risk. It celebrates his life. He didn't get treated too well by the press when he was alive, and when he passed away, he pretty much got swept under the carpet, and the news basically been a punchline or a headline. It's kind of cool, he's kinda like Obi-Wan and death, he became bigger than life and people are starting to take a look at his contribution. It was an unfortunate fact that he had an addiction that ended up killing him, but there was so much more to the man and stuff doesn't go away.

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Yeah, it was crazy that it's called "The Day Seattle Died" because I didn't mean it to be that. I meant it to be as far as those two losses in Seattle [Kurt Cobain and Layne Staley's deaths] - to me that's the day Seattle died. I wasn't putting that together and thinking about the exact dates.
I had met Layne Staley before when he was really sick. We were on tour with Jerry Cantrell, and Jerry knew I was a giant fan of Alice in Chains. It was Halloween night, we were in Seattle, and all of a sudden, a little dude comes up and he's got an old fishing hat on and he's kind of dressed up like an old dude - he is dressed for Halloween. I guess he didn't want people to see him because he's Layne Staley walking into a club in Seattle, and that would draw a lot of attention, so he got a little costume.
He came backstage with me, and it impacted me so deeply to see him in that condition, because he was one of my biggest idols of all time. We opened a bottle of Jack Daniel's and drank it, and I just talked to him about everything for a long time. But the condition that he was in at the time affected me deeply - to see him look years older than what I thought he was. I knew when he left that night, that was the end - that he was going to go. I'm so thankful I got to spend that time with him.
So that affected me, and I was like, "That's my hero, I'm going to write a song for him." And then the Kurt thing came in too. He was just as influential, but Layne I just felt more of a connection to - he was way darker, and I've always gravitated towards that stuff. Layne Staley's mom actually reached out to us to thank us for the song, and it was really beautiful. So, it had some impact. People really feel that song.

I wrote about drugs, and I didn't think I was being unsafe or careless by writing about them. Here's how my thinking pattern went: When I tried drugs, they were fucking great, and they worked for me for years, and now they're turning against me - and now I'm walking through hell, and this sucks. I didn't want my fans to think heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen.

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It's something I'm still dealing with, and I still think like he's here. I miss him tremendously. I love him and have to move on. I'll remember him and respect the memories of what we did together and just enjoy life... and that's all I'll say about it.

[on Dirt] It's simple. One theme is: Drugs are bad. The other theme is relationships, bad. The last theme is: album, good. Maybe something this blatant and heavy and straight to the point might steer people away from being excited about the idea of trying heroin. There was nothing that blatant shoved in my face, discouraging me.

At the end of the day or at the end of the party, when everyone goes home, you’re stuck with yourself. There was a time when I couldn’t deal with that, and I couldn’t go places by myself. I needed to call up a friend to go to a 7-Eleven. I just couldn’t approach people when I was alone. Getting a place on my own was a step toward learning how to do that.

Los Angeles Times: In a more recent phone interview, however, Staley proved more forthcoming, saying he isn’t at all surprised at the speculation inspired by the lyrics.
Staley: I figured as much. People decipher our lyrics and take things too literally. It won’t change the way I write, though.

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I met Jerry [Cantrell] at a party, just out of the blue. I didn't think he was the coolest guy in the world or anything. He had no family in the area, so he's kind of struggling, didn't have any money or a place to stay or anything. And me being completely drunk, just offered this total stranger a place to stay and clothes, and food and musical instruments. I think two days later he moved his stuff up into the rehearsal room that I was working [out of]. And he's got himself a little 4-track, and kinda started out there, writing and jamming with some people. He was playing with some guys that I thought... you know, weren't up too pair with the music that he was writing. And I remember meeting Mike [Starr] and Sean [Kinney] prior to that.

People have a right to ask questions and dig deep when you're hurting people and things around you. But when I haven't talked to anybody in years, and every article I see is dope this, junkie that, whiskey this - that ain't my title. Like 'Hi, I'm Layne, nail biter,' you know? My bad habits aren't my title. My strengths and my talent are my title.