Repetitions, you wander about lost amid repetitions, you are merely a repetition among other repetitions. An artist of repetitions, a past master of … - Octavio Paz

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Repetitions, you wander about lost amid repetitions, you are merely a repetition among other repetitions. An artist of repetitions, a past master of disfigurations, a maestro of demolitions. The trees repeat other trees, the sands other sands, the jungle of letters is repetition, the stretch of dunes is repetition, the plethora is emptiness, emptiness is a plethora, I repeat repetitions, lost in the thicket of signs, wandering about in the trackless sand, stains on the wall beneath this sun of Galta, stains on this afternoon in Cambridge, a thicket and a stretch of dunes, stains on my forehead that assembles and disassembles vague landscapes. You are (I am) is a repetition among other repetitions. You are is I am; I am is you are: you are is I. Demolitions: I stretch out full length atop my triturations, I inhabit my demolitions.

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About Octavio Paz

Octavio Paz Lozano (31 March 1914 – 19 April 1998) was a poet, writer, diplomat, and winner of the 1990 Nobel Prize in Literature, the first Mexican writer to become a Nobel Laureate.

Also Known As

Alternative Names: Octavio Paz Lozano
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Additional quotes by Octavio Paz

I remember my loves, my conversation, my friendships. I remember it all, see it all, see them all. With melancholy, but without nostalgia. And above all, without hope. I know that it is immortal, and that, if we are anything, we are the hope of something. For me, expectation has spent itself. I quit the nevertheless, the even, the in spite of everything, the moratoriums, the excuses and forgiving. I know the mechanism of the trap of morality and the drowsiness of certain words. I have lost faith in all those constructions of stone, ideas, ciphers. I quit. I no longer defend this broken tower. And, in silence, I await the event.

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the phrases that I write on this paper are sensations, perceptions, images, etcetera, which flare up and die down here, in front of my eyes, the verbal residuum: the only thing that remains of the felt, imagined, thought, perceived, and vanished realities, the only reality that these evaporated realities leave behind, a reality that, even though it is merely a combination of signs, is no less real than they are: the signs are not presences but they configure another presence, the phrases fall into line one after the other on the page and as they advance they open up a path toward a temporarily final end, the phrases configure a presence that disappears, they are the configuration of the abolition of presence, yes, it is as though all these presences woven by the configurations of the signs were seeking its abolition in order that there might appear those inaccessible trees, immersed in themselves, not said, that are beyond the end of this phrase, on the other side, there where eyes read what I am writing, and on reading it, dissipate it

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