The jurists had claimed that the king's body politic is utterly void of "natural Defects and Imbecilities." Here, however, "Imbecility" seems to hold… - Ernst Kantorowicz

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The jurists had claimed that the king's body politic is utterly void of "natural Defects and Imbecilities." Here, however, "Imbecility" seems to hold sway. And yet, the very bottom has not been reached. Each scene, progressively, designates a new low. "King body natural" in the first scene, and "Kingly Fool" in the second: with those two twin-born beings there is associated, in the half-sacramental abdication scene, the twin-born deity as an even lower estate. For the "Fool" marks the transition from "King" to "God," and nothing could be more miserable, it seems, than the God in the wretchedness of man.

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About Ernst Kantorowicz

Ernst Hartwig Kantorowicz (May 3, 1895 – September 9, 1963) was a Jewish German historian of medieval political and intellectual history and art, known for his 1927 book Kaiser Friedrich der Zweite on Holy Roman Emperor Frederick II, and The King's Two Bodies (1957) on medieval and early modern ideologies of monarchy and the state. He was an elected member of both the American Philosophical Society and the American Academy of Arts and Sciences.

Also Known As

Alternative Names: Ernst Hartwig Kantorowicz
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Additional quotes by Ernst Kantorowicz

That the phrase actually originated in the Hispana is obvious for a simple reason: only in that collection do we find a textual corruption of the acts of the Council of Chalcedon at which one of the bishops modestly said that God imperatorem erexit ad zelum [i.e. fidei]. In other words, a scribe copying the canons of Chalcedon misread the text and changed ad zelum into ad celum; and this erroneous reading must have reached, perhaps through the channels of Pseudo-Isidorus, the Norman Anonymous for whom even that great forgery in favor of the hierarchy could turn into grist brought to his royalist mill. This reading is merely an error, though an error remarkable by itself, since it shows how easily any extravagant exaltation of the imperial power could flow from the pen of a scribe in those centuries.

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